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Seriously Sibelius

Marko Ylönen (cello) & Jaakko Kuusisto (violin)

Lahti Symphony Orchestra, Osmo Vänskä

Seriously Sibelius
Another Sibelius CD of exceptional interest and fascination from Lahti and Osmo Vänskä in the BIS complete survey. Impressive playing throughout an excellent recording.

Seriously Sibelius

Marko Ylönen (cello) & Jaakko Kuusisto (violin)

Lahti Symphony Orchestra, Osmo Vänskä

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CD

$18.00

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Stream now Hi-RES 44.1 kHz, 24 bit
Another Sibelius CD of exceptional interest and fascination from Lahti and Osmo Vänskä in the BIS complete survey. Impressive playing throughout an excellent recording.

About

Contents and tracklist

II. Lemminkäinen and Tuonela. Largamente - Molto lento - Largamente (Reconstructed 1896 Version, Based on the performing edition by Colin Davis)
Track length22:18

Awards and reviews

November 2006

Another Sibelius CD of exceptional interest and fascination from Lahti and Osmo Vänskä in the BIS complete survey. Impressive playing throughout an excellent recording.

2010

The centrepiece of this fine collection is a reconstruction of Lemminkäinen in Tuonela as it sounded at the April 1896 Helsinki premiere.
When Sibelius reworked the score in 1939, he excised at least 108 bars, including an impressive 32-bar introduction and a hefty chunk of the ghostly A minor central episode.
Annotator Andrew Barnett tells us that the Op 77 Two Serious Melodies, for violin and orchestra, were first heard in March 1916 in Sibelius's arrangement for cello. Soloist Marko Ylönen is a rapt proponent of this headily lovely diptych, while the Lahti SO's leader Jaakko Kuusisto is a model of sensitive agility in the first version (from 1917) of the enchanting Humoresque No 1 in D minor.
The Three Pieces contain a fetching 18th-century pastiche, 'Autrefois', which incorporates a setting for soprano and contralto of a poem by Hjalmar Procopé. Bookending the programme are the original and revised versions (from 1909 and 1910 respectively) of the funeral march In memoriam, a stark yet noble (and at times intriguingly Mahlerian) processional to remind us that the uncompromising Fourth Symphony was not far off.
Vänskä and his bright-eyed Lahti band are on irreproachable form, and the BIS production crews have come up trumps once again with resplendently natural sound.
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