Bach - Cantatas Volume 32 - BIS: BISSACD1501 - SACD or download

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Suzuki's solo team is excellent. Yukari Nonoshita and Robin Blaze dance through a delightfully jolly passepied duet in BWV124; Andreas Weller… Peter Kooij… achieves near-pinpoint accuracy… — BBC Music Magazine, September 2006, 4 out of 5 stars More…

Release Date: 28th Aug 2006
Catalogue No: BISSACD1501
Label: BIS
Series: Suzuki Bach Cantatas
Length: 74 minutes

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Bach, J S: Was mein Gott will, das gscheh allzeit (Chorus)

Work length4:33

$1.00

$1.30

$1.75

Robin Blaze, Andreas Weller, Peter Kooij
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki
Recorded: February 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Bach, J S: Cantata BWV111 'Was mein Gott will, das g'scheh allzeit'

Work length12:21

$5.00

$6.50

$8.75

Robin Blaze, Andreas Weller, Peter Kooij
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki
Recorded: February 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Aria. Entsetze dich, mein Herze, nicht (Bass)

Track length2:57

$1.00

$1.30

$1.75

Recitative. O Torichter! Der sich von Gott entzieht (Alto)

Track length0:50

$1.00

$1.30

$1.75

Aria. So geh ich mit beherzten Schritten (Alto, Tenor)

Track length6:05

$1.00

$1.30

$1.75

Recitative. Drum wenn der Tod zuletzt den Geist (Soprano)

Track length1:08

$1.00

$1.30

$1.75

Chorale. Noch eins, Herr, will ich bitten dich (Chorus)

Track length1:21

$1.00

$1.30

$1.75

Bach, J S: Cantata BWV123 'Liebster Immanuel, Herzog der Frommen'

Work length20:19

$6.00

$7.80

$10.50

Yukari Nonoshita, Robin Blaze, Andreas Weller, Peter Kooij
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki
Recorded: February 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Liebster Immanuel, Herzog der Frommen (Chorus)

Track length5:10

$1.00

$1.30

$1.75

Recitative. Die Himmelssussigkeit, der Auserwahlten Lust (Alto)

Track length0:50

$1.00

$1.30

$1.75

Aria. Auch die harte Kreuzesreise (Tenor)

Track length6:17

$1.00

$1.30

$1.75

Recitative. Kein Hollenfeind kann mich verschlingen (Bass)

Track length0:46

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$1.30

$1.75

Aria. Lass, o Welt, mich aus Verachtung (Bass)

Track length5:41

$1.00

$1.30

$1.75

Chorale. Drum fahrt nur immer hin, ihr Eitelkeiten (Chorus)

Track length1:35

$1.00

$1.30

$1.75

Bach, J S: Cantata BWV124 'Meinen Jesum laß ich nicht'

Work length13:17

$6.00

$7.80

$10.50

Yukari Nonoshita, Robin Blaze, Andreas Weller, Peter Kooij
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki
Recorded: February 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Meinen Jesum lass ich nicht (Chorus)

Track length3:24

$1.00

$1.30

$1.75

Recitative. Solange sich ein Tropfen Blut (Tenor)

Track length0:44

$1.00

$1.30

$1.75

Aria. Und wenn der harte Todesschlag (Tenor)

Track length3:27

$1.00

$1.30

$1.75

Recitative. Doch ach! Welch schweres Ungemach (Bass)

Track length1:02

$1.00

$1.30

$1.75

Aria. Entziehe dich eilands, mein Herze, der Welt (Soprano, Alto)

Track length3:40

$1.00

$1.30

$1.75

Chorale. Jesum lass ich nicht von mir (Chorus)

Track length1:00

$1.00

$1.30

$1.75

Bach, J S: Cantata BWV125 'Mit Fried und Freud ich fahr dahin'

Work length23:48

$6.50

$9.10

$12.25

Robin Blaze, Andreas Weller, Peter Kooij
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki
Recorded: February 2005
Recording Venue: Kobe Shoin Women's University Chapel, Japan

Mit Fried und Freud ich fahr dahin (Chorus)

Track length6:02

$1.00

$1.30

$1.75

Aria. Ich will auch mit gebrochnen Augen (Alto)

Track length8:29

$1.50

$2.60

$3.50

Recitative and Chorale. O Wunder, dass ein Herz (Bass)

Track length2:04

$1.00

$1.30

$1.75

Aria. Ein unbegreiflich Licht (Tenor, Bass)

Track length5:15

$1.00

$1.30

$1.75

Recitative. O unerschopfter Schatz der Gute (Alto)

Track length0:41

$1.00

$1.30

$1.75

Chorale. Er ist das Heil und selig Licht (Chorus)

Track length1:17

$1.00

$1.30

$1.75

Reviews
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Reviews

September 2006

Suzuki's solo team is excellent. Yukari Nonoshita and Robin Blaze dance through a delightfully jolly passepied duet in BWV124; Andreas Weller… Peter Kooij… achieves near-pinpoint accuracy…

2010

Masaaki Suzuki takes us further into the second year of Bach's post in Leipzig with four fine cantatas which sit at the solar plexus of the second cycle in New Year 1725 – the unfinished series of works whose primary catalyst was the hymn of the week and not the usual gospel reading. The quality and maturity of Bach's vocal writing is revealed here in works which are still fighting for recognition.
No 111 is the exception, with Bach's taut representation of God's might and also celebrated for the great duet, 'So geh ich mit behertzen Schritten' ('So I go with heartened steps') which Robin Blaze and Andreas Weller perform with exultant esprit.
Bach Collegium Japan are at their most persuasive in the superficially dour but incrementally magisterial opening choruses of both Nos 125 and 123, the latter a brilliant slow-burn contemplation of faith (and hope) with predominant falling motifs from the tender opening of the hymn. Suzuki paces this with as much warmth and understanding as he does in No 124, where a sweetly running oboe d'amore line threads its way through the galant minuet.
With Mit Fried und Freud we enter into another meditation on death, one in which Suzuki traverses Bach's extraordinary tonal excursions in the opening chorus, matched only by the succeeding aria where the blind disciple seeks Christ. Robin Blaze is quite exquisite here, as are the poignant oboe and flute obbligati which reflect the fragile human condition in a way strikingly akin to the mysteries and musical language of the St Matthew Passion. Suzuki and his musicians can be content that they have pulled out all the stops for one of Bach's most mesmerising creations.

October 2006

Bach Collegium Japan are at their most persuasive in the superficially dour but incrementally magisterial opening choruses of both Nos 125 and 123… with Mit Fried und Freud we enter into another meditation on death… Robin Blaze is quite exquisite here, as are the poignant oboe and flute obbligati which reflect the fragile human condition in a way strikingly akin to the mysteries and musical language of the St Matthew Passion. Suzuki and his musicians can be content that they have pulled out all the stops for one of Bach's most mesmerising creations.

Offer,Bach - Cantatas Volume 32

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