Even the most out-and-out purists who blench at the thought of Bach on the piano will find it hard not to be won over by Angela Hewitt's artistry. Eschewing all hieratic pretentiousness on the one hand and self-regarding eccentricities on the other, she gives us Bach performances that aren't only admirable in style but marked by poise, and what used to be called a 'quiet hand': 'chaste' might not be too fanciful a term, so long as that does not suggest any lack of vitality. There's intelligence in her carefully thought-out phrasing and subtle variety of articulation: gradations of sound are always alive without their becoming precious. The bulk of this recording is devoted to the FrenchSuites. Particularly enjoyable is the lightness of her treatment of the Airs of Nos 2 and 4, the vigour of No 5's Bourrée and the freshness of No 6's Allemande; the extra decorations she adds in repeats everywhere sound properly spontaneous and are in the best of taste; ornaments are always cleanly played and matched up in imitative voices.