Donizetti: Maria Stuarda

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Sutherland has only to trill or sing a rapid scale or sustain a high, pure note, and I warm to her afresh...Bonynge's conducting has its usual feeling for the spring of a rhythm and the build... — Gramophone Magazine, September 1990 More…

Catalogue No: 4254102
Label: Decca
Length: 2 hours 2 minutes

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Special offer ends: 12/06/2024

Donizetti: Maria Stuarda

Work length2:02:17

$40.70

$55.50

Margreta Elkins (mezzo-soprano), Huguette Tourangeau (mezzo-soprano), Roger Soyer (baritone), Dame Joan Sutherland (soprano), Luciano Pavarotti (tenor), James Morris (baritone)
Orchestra del Teatro Comunale di Bologna, Coro del Teatro Comunale di Bologna
Richard Bonynge
Recorded: 1974-09
Recording Venue: Teatro Comunale, Bologna

Introduzione ... "Qui s'attenda"

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"Si, vuol di Francia il Rege"

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Ah! quando all'ara scorgemi

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Il tal giorno di contento

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Ah! dal ciel discenda un raggio

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"Fra noi perchè non veggio Leicester?"

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Hai nelle giostre, o Talbo?

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"Questa imago, questa foglio" - "Ah! rimiro il bel sembiante"

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"Sei tu confuso?"

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"Era d'amor l'immagine"

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Sul crin la rivale la man

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"Allenta il piè, Regina"

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"O nube che lieve per l'aria"

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Nella pace del mesto riposo

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"Ah! non m'inganna la gioia!"

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"Da tutti abbandonata"

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Ah! se il mio cor tremò giammai

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"Qual loco è questo?"

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"E sempre la stessa"

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"Deh! l'accogli" - "Morta al mondo, e morta al trono"

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"Va, preparati, furente"

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"E pensi? e tardi?"

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Quella vita a me funesta - Regina! A lei s'affretta

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Ah! Deh! per pietà sospendi

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"D'una sorella, o barbara"

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Vanne, indegno; t'appare nel volto

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"La perfida insultarmi anche volea"

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"Oh mio buon Talbot!" - "Delle miei colpe lo squallido

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"Quando di luce rosea"

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Lascia contenta il carcere

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"Vedeste? - Vedemmo. Oh truce apparato!

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"Anna! - Qui più sommessi favellate" - "Deh! vi rivedo alfin"

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"Deh! Tu di un umile preghiera"

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"Oh colpo!..."

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"D'un cor che muore reca il perdono"

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"Giunge il Conte"

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"Ah! se un giorno"

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Reviews
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Reviews

September 1990

Sutherland has only to trill or sing a rapid scale or sustain a high, pure note, and I warm to her afresh...Bonynge's conducting has its usual feeling for the spring of a rhythm and the build of a climax; the recording is clear and well balanced.

2011 edition

Pavarotti turns Leicester into a passionate Italian lover...as for Sutherland, she is at her most fully dramatic too...Bonynge directs an urgent account of an unfailingly enjoyable opera...the score is slightly cut, but this remains the most generally recommendable versions of this marvellously dramatic work.

Offer,Donizetti: Maria Stuarda

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