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Love Bade Me Welcome
Songs and poetry from the Renaissance
James Bowman, Daniel Taylor (counter-tenors), Frances Kelly (harp), Elizabeth Kenny (lute), Mark Levy (gamba), Ralph Fiennes (recitation)
Countertenor Daniel Taylor - the ensemble's artistic director - has a sweet, supple voice which complements James Bowman's darker, plangent sound. Lute, viol and harp are sensitively played...
Love Bade Me Welcome
Songs and poetry from the Renaissance
James Bowman, Daniel Taylor (counter-tenors), Frances Kelly (harp), Elizabeth Kenny (lute), Mark Levy (gamba), Ralph Fiennes (recitation)
Purchase product
Countertenor Daniel Taylor - the ensemble's artistic director - has a sweet, supple voice which complements James Bowman's darker, plangent sound. Lute, viol and harp are sensitively played...
About
This programme has been devised by Daniel Taylor and the Theatre of Early Music to present the idea of love as painted by poets and composers between 1560-1630. The musicians are joined by critically acclaimed Shakespearean actor Ralph Fiennes who recites poems by Shakespeare, Sir Walter Raleigh, Ben Jonson, Thomas Campion and others. These poems intersperse a collection of songs, duets and instrumental pieces by Dowland, Robert Jones and Robert Johnson.
Contents and tracklist
- James Bowman, Daniel Taylor, Frances Kelly, Elizabeth Kenny, Mark Levy
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- James Bowman, Daniel Taylor, Frances Kelly, Elizabeth Kenny, Mark Levy
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Ralph Fiennes
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- James Bowman, Daniel Taylor, Frances Kelly, Elizabeth Kenny, Mark Levy
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Frances Kelly
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- James Bowman, Daniel Taylor, Frances Kelly, Elizabeth Kenny, Mark Levy
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Ralph Fiennes
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- James Bowman, Elizabeth Kenny
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Ralph Fiennes
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- James Bowman, Frances Kelly, Elizabeth Kenny, Mark Levy
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Ralph Fiennes
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Daniel Taylor, Frances Kelly, Elizabeth Kenny, Mark Levy
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Ralph Fiennes
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- Frances Kelly, Elizabeth Kenny
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
- James Bowman, Elizabeth Kenny
- Theatre of Early Music
- Recorded: February, March 2004
- Recording Venue: St. Silas Church, London, England, United Kingdom
Awards and reviews
February 2006
Countertenor Daniel Taylor - the ensemble's artistic director - has a sweet, supple voice which complements James Bowman's darker, plangent sound. Lute, viol and harp are sensitively played by Elizabeth Kenny, Mark Levy and Frances Kelly, providing aptly soft voiced accompaniments for this most intimate of repertoires. ...if this beguiling music is not enough to seduce the ear, Ralph Fiennes's measured, thoughtful recitations surely will. A haunting collection...