John McCabe: Of Time and the River
Emily Benyon (flute)
BBC Symphony Orchestra, Vernon Handley
John McCabe's Fourth Symphony, some half an hour in duration, has something Sibelian about its utterly inevitable, ever-evolving progress. Behind the frequently prodigal surface activity, one...
John McCabe: Of Time and the River
Emily Benyon (flute)
BBC Symphony Orchestra, Vernon Handley
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John McCabe's Fourth Symphony, some half an hour in duration, has something Sibelian about its utterly inevitable, ever-evolving progress. Behind the frequently prodigal surface activity, one...
About
First recordings of two powerful works from the pen of one of our major composers, John McCabe, who is celebrating his sixtieth birthday this year. Of Time and the River (the title is taken from Thomas Wolfe's novel) is actually the published title of McCabe's Fourth Symphony, written in 1993/4 to a commission by the BBC. The Flute Concerto was written for James Galway in 1989/90 and he gave the first performance of it in 1990 with Michael Tilson Thomas and the London Symphony Orchestra who commissioned the work. Here it is played by the outstanding young flautist Emily Beynon in her first recording for Hyperion.
Contents and tracklist
Awards and reviews
2010
John McCabe's Fourth Symphony, some half an hour in duration, has something Sibelian about its utterly inevitable, ever-evolving progress. Behind the frequently prodigal surface activity, one is acutely aware of the inexorable tread of a grander scheme – a preoccupation with time mirrored in Thomas Wolfe's novel Of Time and the River, from which the work derives its subtitle. The very opening idea is momentarily reminiscent of Britten, and there's a magnificent passage in the second movement that recalls Vaughan Williams at his visionary best. Yet McCabe's score possesses a strong individuality, formal elegance and abundant integrity too. With dedication and scrupulous perception, Handley secures a disciplined and alert response from the BBC SO. The engaging Flute Concerto composed for James Galway in 1989-90 proves both resourceful and communicative.
There's much that genuinely haunts here, not least the gently lapping opening idea (inspired by watching the play of waves on a Cornish beach), the ravishing dialogue between the soloist and orchestral flutes and the delightful emergence soon afterwards of an entrancingly naive, folk-like theme. Emily Beynon gives a flawless account of the demanding solo part, and is immaculately partnered by Handley and his BBC forces.
2011 edition
[The Symphony] is a magnificent work in two substantial movements - fast to slow, then slow to fast. The idiom is warmer and more approachable than in his earlier music, echoing in its atmospheric orchestration and some of the melodic lines Britten on the one hand and Sibelius on the other...Superb performances
