Mirare
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Bach, J S: St John Passion, BWV245
Hans-Jörg Mammel (Evangelist), Matthias Vieweg (Christus), Maria Keohane, Helena Ek (sopranos), Carlos Mena, Jan Börner (altos), Jan Kobow (tenor) & Stephan MacLeod (bass)
Ricercar Consort, Philippe Pierlot
The one-to-a-part ensemble is always considered and, in isolation, often moving and theatrically effective. —
Awards:
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Gramophone Awards, 2011, Shortlisted - Baroque Vocal
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Boris Berezovsky plays Liszt
Live at the Festival Hall March 2009 [sonata] & Festival de la Grange de Meslay
Boris Berezovsky (piano)
in the outer sections of Mephisto Waltz No. 1 he finds a remarkable balance between driving velocity and allowing the notes to speak...Venezia e Napoli's three pieces are here a happy experience,... —
Awards:
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Gramophone Magazine, May 2010, Editor's Choice
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[CD OF THE WEEK 03/07/08] We all felt it was the clarity which stood out - both of the playing and the recording. Andrew [McGregor] described the Bizet symphony as having a 'Mendelssohnian lightness' —
Awards:
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Building a Library, July 2008, First Choice
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Boffard strikes an excellent balance between Bartok’s different worlds. Sinuously contoured melodies are played with an excellent singing tone; there is a proud, fine-sprung quality to the dance... —
Awards:
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Gramophone Magazine, January 2019, Editor's Choice
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Trio Chausson's interpretation...abounds in harmonic pointing and expressive detail, the brighter lights of the exposition running into a sombre development with a dark-hued fugato...Never trivial,... —
Awards:
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Gramophone Magazine, March 2015, Editor's Choice
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Queffélec offers readings which seem rather consciously to pursue the middle way – avoiding extreme tempos, mitigating dynamic contrasts, seeking to mask seriousness with a certain spontaneity,... —
Awards:
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Gramophone Magazine, February 2023, Editor's Choice
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É Il Violoncello Suonò
Hanna Salzenstein (cello), Thibaut Roussel, Justin Taylor, Albéric Boullenois, Marie-Ange Petit (percussion), Théotime Langlois de Swarte (violin)
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