ica classics
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Brahms: Ein deutsches Requiem
Elisabeth Grümmer (soprano) & Hermann Prey (baritone)
Kölner Rundfunkchor & Kölner Rundfunk-Sinfonie-Orchester, Otto Klemperer
Klemperer underlines the grand architectural proportions of the German Requiem while piercing close to its spiritual heart...the performance itself builds in monumental intensity from a fairly... — More…
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Leon Fleisher plays Beethoven & Mozart
Leon Fleisher (piano)
Kölner Rundfunk-Sinfonie-Orchester, André Cluytens, Georg Ludwig Jochum
though I have heard performances of these two works that equal these, I can't think of any that surpass them...The sound is impressive, though both Concertos are in mono. — More…
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This is an astounding disc. It contains some of the greatest piano playing I have ever heard, and the most profound interpretation of what is, for me, Beethoven's greatest piano work, the Hammerklavier... — More…
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William Steinberg
Heather Harper (soprano), Julia Hamari (alto), Sven Olof Eliasson (tenor), Peter Meven (bass), Wolfgang Marschner (violin)
Kölner Rundfunkchor & Sinfonie-Orchester, William Steinberg
In Steinberg's Gloria, the choir's accent on 'hominibus' is just right: quiet, not overdone...Steinberg hammers out 'consubstantialem Patri' in fine style...Peter Meven intones the the opening... — More…
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Barbirolli's Haydn from 1969 is very much of its time, and not without some fine qualities. One can sense the affection in which the conductor held this work...The Symphonie fantastique finds... — More…
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A sense of delight permeates his performance of the Ravel waltzes; he digs into the scrunchy textures and lets the composer's lime-and-soda harmonies fizz and gleam...Shame about the sound quality,... — More…
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Beethoven: Piano Concertos Nos. 1 & 3
Emil Gilels (piano)
New Philharmonia Orchestra, Sir Adrian Boult
unshowy, massively intelligent accounts...whose structures are architecturally drawn and finely delineated, with wonderful tone-quality in the slow movements. More physical, less spiritual than... — More…
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Wilhelm Backhaus plays Schubert & Beethoven
Beethovenhalle, Bonn, 24 September 1959
Wilhelm Backhaus (piano)
His concert begins with Schubert’s Impromptu No.3 in B flat major from the D.935 set. There is such facility and tonal lustre here, and a dappled, songful lightness propelled by the deftest... — More…
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Mozart: Piano Concertos Nos. 1, 17 & 20
Ingrid Jacoby (piano)
Academy of St Martin in the Fields, Sir Neville Marriner
[Jacoby’s] playing is muscular and blends well with the Academy and Marriner, who have this music in their blood and play with their trademark urbanity and flexibility virtually throughout — More…
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