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[Järvi] He consistently brings out details that one doesn’t normally notice, such as the chromatically ascending line in the strings in the transition to the recapitulation of the third movement’s... — Fanfare, May/June 2022 More…

Goerner’s opening statement in Fauré’s First Sonata is passionate, free and probing, and I was expecting violinist Tedi Papavrami to follow suit, but he is a little more discreet and gentle... — BBC Music Magazine, December 2017, 4 out of 5 stars More…

[Haselböck] reveals aspects of Liszt’s scoring that would otherwise go unnoticed…you being to understand Liszt’s sound world as he understood it…beautiful singing by Steve Davislim — Gramophone Magazine, May 2017 More…

Eriksmoen has chosen her repertoire for this disc well...Her selection of nine songs by Hugo Wolf emphasises a sense of mischief, and the recording captures well the crystalline yet supple quality... — The Guardian, 18th February 2016, 4 out of 5 stars More…

Vinnitskaya conveys [the transcription of Bach’s Chaconne] with all the conviction, line and power that it needs, everything balanced and well modulated. Elsewhere, with her emphasis on clarity... — BBC Music Magazine, July 2016, 3 out of 5 stars More…