ECM
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This beautifully engineered disc concludes a four-album trans-millennial tale that helped define meaningful music. — More…
Awards:
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Jazzwise, Editor's Choice, December 2019
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Presto Recording of the Week, 18th October 2019
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Trio Mediaeval defend the corner for beautiful simplicity in this album — More…
Awards:
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BBC Music Magazine, November 2005, Choral & Song Choice
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L’Aurore is far greater than the sum of its parts...The album takes its name from the first movement of Ysaÿe’s fifth solo sonata, a work dedicated to his friend and former pupil Mathieu Crickboom.... — More…
Awards:
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BBC Music Magazine, September 2022, Instrumental Choice
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International Classical Music Awards, 2023, Nominated - Solo Instrument
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Offer,
Officium A hauntingly beautiful combination of medieval unaccompanied choral music and jazz saxophone.
Jan Garbarek (saxophone)
Hilliard Ensemble
no matter how one views so-called crossover...or the relative unwisdom of sticking to rigid musical boundaries, the evidence remains conclusive: ''Officium'' successfully transcends any limitations... — More…
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This is a superb and original recording. It gives musical individuality to a group of works that have hitherto tended to sound much the same. Moreover, as a special attraction for those wanting... — More…
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Saltarello Garth Knox (fiddle, viola, viola d'amore), Agnès Vesterman (cello) & Sylvain Lemêtre (percussion)
Bringing all this music seamlessly together are the remarkable sonic possibilities offered by the combination of cello and viola or viola d'amore. A fiddle and electronics are added for good... — More…
Awards:
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Gramophone Magazine, September 2012, Editor's Choice
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This is a landmark recording and a courageous venture. It's probably the first devoted to Machaut's motets, containing no fewer than 18 of the 23 that survive. It's certainly the first to present... — More…
Awards:
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Gramophone Magazine, May 2004, Editor's Choice
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Ambrose Field & John Potter - Being Dufay
Music based on vocal fragments by Guillaume Dufay
John Potter (tenor) & Ambrose Field (composer, live and studio electronics)
Potter's singing here is exemplary, and I can think of few singers so suited to such music. Occasionally, washes of electronic sound engulf the soloist, providing compelling dramatic climaxes…... — More…
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