Coro
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Haydn: Symphony No. 100 & Nelson Mass
RecommendedLive
Raphaël Mouterde (studioproducer), Mary Bevan (soprano), Sumner Thompson, Sonja DuToit Tengblad, Jeremy Budd (tenor), Catherine Wyn-Rogers (mezzo-soprano)
Handel and Haydn Society, Handel and Haydn Society Chorus, Harry Christophers
Christophers and the Handel and Haydn Society of Boston present a neatly turned-out Military Symphony, closer to the urbanity of Colin Davis than the rawer edges of Eugen Jochum or, on original... — More…
Awards:
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Building A Library, April 2024, Recommended Recording (Symphony No. 100)
CD
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Haydn: The Creation
Sarah Tynan (soprano), Jeremy Ovenden (tenor) & Matthew Brook (bass-baritone)
Handel and Haydn Society, Harry Christophers
an exceptional account of the oratorio from all points of view…but what is wholly exceptional is the diction of both soloists and choir; you can hear every word without referring to the text... — More…
Awards:
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BBC Music Magazine, Choral & Song Choice
2 CDs
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Haydn: Symphonies Nos. 7 & 83 & Violin Concerto in C major
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
[the Paris Symphony No. 83 is] a marvellously intense piece, and it gets a no-holds barred performance from Harry Christophers and the Handel and Haydn Society orchestra. They bring a fine sense... — More…
CD
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Mozart: Requiem
Elizabeth Watts (soprano), Phyllis Pancella (mezzo-soprano), Andrew Kennedy (tenor) & Eric Owens (bass-baritone), & Robert Nairn (double bass obbligato)
Handel and Haydn Society, Harry Christophers
[Owens's] instrument sounds magisterial as it rolls along, matching well with the three remaining soloists. Elizabeth Watts is a luminous soprano. Phyllis Pancella can rely on the almost contralto-like... — More…
CD
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3 CDs
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Haydn: Symphonies Nos. 8 & 84 & Violin Concerto in A major
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
CD
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His approach to the symphonies with the venerable Handel and Haydn Society has emphasised the rich tone of his Boston-based orchestra, bearing a greater similarity, perhaps, to the suavity and... — More…
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Haydn: Symphonies Nos. 26 & 86 & Mozart: Violin Concerto No. 3
Aisslinn Nosky (violin)
Handel and Haydn Society, Harry Christophers
[Symphony No. 26] Christophers presents the powerful, restless first movement perfectly, the raucous valveless horns of its close perfectly judged. The first plainchant melody provides the first... — More…
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Haydn: Symphony No. 103 & Theresienmesse
Mary Bevan (soprano), Catherine Wyn-Rogers (mezzo-soprano), Jeremy Budd (tenor), Sumner Thompson
Handel and Haydn Society, Handel and Haydn Society Chorus, Harry Christophers
The Theresienmesse especially suits this orchestra’s sound, which is a touch softer-grained than some other period-instrument groups. — More…
CD
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Perfectly capturing the astringency of Beethoven’s first-period quartets. — More…
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