Chandos
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Williams sings intelligently, thoughtfully and beautifully, and both he and Burnside give the impression of having rethought and re-examined every song; they are also unusually faithful to Schubert’s... — More…
Awards:
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Presto Editor's Choice, June 2019
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Presto Recordings of the Year, Finalist 2019
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Golden Oldies – More Favourite Encores
Brodsky Quartet (string quartet), Laura van der Heijden, Julian Jacobson
The result – lovingly presented and played with consummate finesse – is like a selection box of handmade musical confectionery. What strikes you first is the seriousness and craft with which... — More…
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Riches has the versatility to sound at home in any language or musical idiom. He possesses a natural authority that never has to strive for effect, and his warm, supple bass-baritone is eminently... — More…
Awards:
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Presto Editor's Choice, February 2021
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BBC Music Magazine, May 2021, Choral & Song Choice
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Her youthful yet attractively rich-toned voice and beguiling musicianship, with an appropriate touch of skittishness at the start of the Weinberg set, works extremely well through most of these... — More…
Awards:
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Gramophone Magazine, March 2022, Editor's Choice
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The sequence concludes with by far the largest item, Michael Collins’s own version of Franck’s Violin Sonata. Delivered by both artists with much panache, this handsome masterwork has an innately... — More…
Awards:
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Gramophone Magazine, February 2020, Editor's Choice
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Schubert: Schwanengesang & Beethoven: An die ferne Geliebte
Roderick Williams (baritone), Iain Burnside (piano)
Williams is effortlessly boyish in the Beethoven, matched by Iain Burnside’s transparent sound. The Schubert begins relaxed, but emotions are soon ratcheted up. Burnside’s unhurried pace and... — More…
Awards:
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Gramophone Magazine, June 2020, Editor's Choice
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Leopold Stokowski: The Art of Orchestral Transcription
Patrick Addinall (trumpet), Cynthia Millar (ondes martenot)
BBC Philharmonic, Matthias Bamert
Bamert brings much commitment to these performances — More…
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Williams knows that he must map the whole emotional journey of the cycle, from the relentless tread of ‘Gute Nacht’ at the start to the nagging sound of the hurdy gurdy at the end; but equally... — More…
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