Challenge Classics
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Prégardien never allows the novelty of a new incarnation to distract him: his singing here is full of imaginative insights...the tenor's courage and imagination triumph. — More…
Awards:
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BBC Music Magazine, January 2012, Choral & Song Choice
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Schumann: Piano Trios Opp. 63 & 110
RecommendedVoces Intimae: Riccardo Cecchetti (piano), Luigi De Filippi (violin) & Sandro Meo (cello)
The Voces Intimae players provide admirable insight and character, making the most of both the music's drama and its lyrical warmth. On the debit side, Schumann's ritardandos cry out for more... — More…
Awards:
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Building a Library, December 2011, Period Instrument Choice
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Throughout her very taxing programme, Gurdal plays with a romantic fullness and a lack of inhibition that makes you fall in love with Scriabin's early and glittering outpouring...Playing over... — More…
Awards:
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Gramophone Magazine, September 2014, Editor's Choice
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Lieske and Spindler's interpretations can be expansively orchestral in conception...or intimately lyrical and expressive...Albéniz apparently said his music appealed to him more when played... — More…
Awards:
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Gramophone Magazine, Awards Issue 2010, Editor's Choice
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Christoph & Julian Prégardien - Father & Son
Christoph Prégardien, Julian Prégardien (tenor), Michael Gees (piano), Fabienne Waga, Patricia Messner (harmonica)
a real treasure...What makes this anthology so enriching is the skill of their arrangements...The two tenors of father and son - shared DNA, complementary tints and timbres - blend with grace... — More…
Awards:
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BBC Music Magazine, Choral & Song Choice
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Shostakovich: Violin Concerto No. 2 & Tchaikovsky: Violin Concerto
Thomas Sanderling, Linus Roth, London Symphony Orchestra
Roth is stark and uncompromising throughout, drawing you into its claustrophobic world, especially in the central Adagio. Thomas Sanderling and the London Symphony Orchestra provide sturdy support... — More…
Awards:
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ECHO Klassik Awards, 2017, Winner
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Everything is scrupulously prepared, finely considered and well dispatched, with no recourse to eccentricities of interpretation or tempo to make transient points. — More…
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Brahms: Ein Deutsches Requiem, Op. 45
Renate Arends (soprano) & Thomas Oliemans (baritone)
The Hague Philharmonic & Rotterdam Symphony Chorus, Jan Willem de Vriend
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