Orfeo
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Fritsch’s Mozart is a sheer delight. This is no bland essay of the usual suspects painted in anonymous colours but a vivid portrait gallery of characters that Fritsch has actually played on... — More…
Awards:
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Gramophone Magazine, April 2017, Editor's Choice
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Gramophone Awards, 2017, Finalist - Recital
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Olivier Messiaen: Michael Gielen Conducts
Sarah Leonard, Orf Vienna Radio Symphony Orchestra, Michael Gielen
Awards:
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International Classical Music Awards, 2023, Nominated - Assorted Programs
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Irmgard Seefried
Vienna 1943-1952
Irmgard Seefried (soprano) with Leopold Ludwig, Viktor Graef & Erik Werba (piano)
A lovely collection: if you had to choose a single disc to represent Seefried in song you could not do better than this...Her personal warmth permeates the voice, and in these recordings one... — More…
Awards:
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Gramophone Magazine, April 2010, Editor's Choice
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Awards:
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Building a Library, June 2012, Also Recommended
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Schumann: Dichterliebe & Liederkreis opp. 24 & 39
RecommendedPeter Schreier (tenor), András Schiff (piano)
Awards:
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Building a Library, June 2010, Featured
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Awards:
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Building a Library, March 2016, Also Recommended
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Julia Varady sings Wagner
RecommendedJulia Varady (soprano)
Deutsches Symphonieorchester Berlin, Dietrich Fischer-Dieskau
This is a truly riveting recital of Wagner from Varady (magnificent singing) and Fischer- Dieskau. Varady's reading of the Wesendonk Lieder is remarkable, enthralling. There's nothing here of... — More…
Awards:
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Building a Library, September 2017, First Choice
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Schumann: Spanische Liederspiel & Brahms: Liebeslieder-Walzer
Edith Mathis (soprano), Brigitte Fassbaender (mezzo), Peter Schreier (tenor), Walter Berry (baritone), Paul Schilhawsky (piano), Erik Werba (piano)
Salzburger Festspiele, 25. August 1974
The historical value is undeniable and of considerable musical value as well. — More…
Awards:
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Diapason d’Or, June 2019, Collectionneur
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R. Strauss: Four Last Songs
RecommendedAnne Schwanewilms (soprano), with Jutta Böhnert (Sophie) & Regina Richter (Octavian)
Gürzenich-Orchester Köln, Markus Stenz
There’s some wonderful singing [in the Capriccio extract]...She’s also excellent as Arabella. At the start of the solo her singing is touching and with a hint of vulnerability to it. Later...she... — More…
Awards:
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Presto Recording of the Week, 9th July 2012
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