Orchestral, Symphonic Poems, Scriabin (composer)
-
Special offer. Scriabin: Symphony No. 1 & Prometheus
RecommendedKirill Gerstein (piano)
Oslo Philharmonic Orchestra, Oslo Philharmonic Choir, Vasily Petrenko
Never discursive or splashy, Petrenko’s forensic view of the composer may not please those brought up on Soviet-era music-making but I found it very persuasive. —
Awards:
-
Presto Recording of the Week, 21st September 2018
-
Presto Recordings of the Year, Finalist 2018
-
-
Not yet 20, the Czech pianist Jan Schulmeister makes an outstanding Supraphon debut with this recital of Russian music. —
Awards:
-
BBC Music Magazine Awards, 2026, Winner - Newcomer
-
-
The Romantic Piano Concerto (1991 - 2007 Edition)
Featuring pianists including Stephen Hough, Seta Tanyel, Piers Lane, Nikolai Demidenko, Martin Roscoe, Howard Shelley, Peter Donohoe, Marc-André Hamelin and Steven Osborne
Is this handsomely produced box-set worth acquiring? As a work of art alone, yes! If you have not encountered these works before, do not hesitate. Dip in anywhere and you will be rewarded. Assuming... —
Awards:
-
Gramophone Magazine, May 2026, Editor's Choice
Purchase product
50 CDs
$176.50 -
-
-
R. Strauss: Also sprach Zarathustra, Op. 30, Trv 176 - Scriabin: The Poem of Ecstasy, Op. 54 (Live)
RecommendedSeattle Symphony Orchestra, Thomas Dausgaard
Both [works] need this wide soundscape and the art that conceals art for the details in a clear, broad picture. We still get the timbres of woodwind and harps adding their splashes of colour;... —
Awards:
-
BBC Music Magazine, February 2021, Orchestral Choice
-
Grammy Awards, 64th Awards (2022), Nominee - Best Orchestral Performance
-
-
No point trying to fault anything: the lightness and flexibility of her touch takes the breath away, and her sound is at every moment transparently controlled, each piece displaying insight... —
Awards:
-
BBC Music Magazine, June 2012, Instrumental Choice
-
Gramophone Magazine, June 2012, Editor's Choice
Purchase product
Downloads
Audio formats guide -
-
-
-
Thanks to her phenomenal ear for colour, marvellous manipulation of texture and instinctive sensitivity to the composer’s distinctive harmonic patterns, not to mention one of the most immediately... —
-
