Choral, Busnois (composer)
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Special offer. The Splendour of Florence with a Burgundian Resonance
Gothic Voices, Andrew Lawrence-King
The poetic French chansons included here intoxicated the European courts and cities with their ravishingly wistful melodies, delicately intertwined. Gothic Voices and veteran harpist Andrew... —
Awards:
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International Classical Music Awards, 2024, Nominated - Early Music
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The landscape angle is slightly odd…Luckily some real landscaping can be heard in Hesdin’s motet ‘Parasti’ where the performers shape the form and contour the dynamics splendidly. —
Awards:
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International Classical Music Awards, 2023, Nominated - Early Music
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Fortuna desperata: Gothic and Renaissance Organ Music
Daniel Beilschmidt (organ), Christine Mothes (voice), Veit Heller (bells)
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Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... —
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Special offer. Plorer, Gemir, Crier: Hommage to Johannes Ockeghem
Diabolus in Musica, Antoine Guerber (direction)
This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Special offer. Alma, svegliate ormai
Devotional Contrafacta in Italian music during the Fifteenth and Sixteenth Centuries
Anonima Frottolisti
Interesting repertoire which sheds light on a less well-known aspect of renaissance music —
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The Art of the Netherlands
Christopher Hogwood (organ), Early Music Consort of London (vocal & instrumental ensemble), David Munrow
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Angels of Antiquity
Music from the Middle Ages to the Age of Enlightenment
Colin Tilney (harpischord), Ronn McFarlane (lute), Julianne Baird (soprano)
Pomerium, La Rondinella, The Baltimore Consort, Les Violons du Roy, The Haydn Baryton Trio, Alexander Blachly