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Browse: SACD, Dvořák (composer)
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Offer, Soirée
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Magdalena Kožená (mezzo), Sir Simon Rattle (piano), Rahel Rilling (violin), Wolfram Brandl (violin), Yulia Deyneka (viola), David Adorjan (cello), Andrew Marriner (clarinet)
There is some lovely singing from Kožená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs…She sings the two Brahms collections well, especially the Ophelia Songs,... — More…
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Dvorak - Requiem & Symphony No. 8
Krassimira Stoyanova (soprano), Mihoko Fujimura (alto), Klaus Florian Vogt (tenor) & Thomas Quasthoff (bass)
Royal Concertgebouw Orchestra, with Vienna Singverein, Mariss Jansons
[Jansons] clearly understands the dynamics of this strongly unified work and nearly everywhere his tempos are well judged. He is also very well served by superb choral singing and orchestral... — More…
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The venue sounds well enough in what is clearly a well-engineered disc and the inimitable chord spacings that open Copland’s Billy the Kid Suite certainly convey that sense of ‘tall, wide and... — More…
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Christian Tetzlaff plays Dvorak & Suk
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Christian Tetzlaff (violin)
Helsinki Philharmonic Orchestra, John Storgårds
John Storgards and the Helsinki Philharmonic provide attentive and flexible accompaniment, and Tetzlaff’s tone throughout is unfailingly beautiful…this well recorded account will appeal to those... — More…
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Moser gives us an exciting, high-tension ride with an impressive sense of structure. He's a musician of alacrity, power and style: virtuosic passages benefit from his fleet effortlessness. — More…
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Offer, Dvorák & Szymanowski - Violin Concertos
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Arabella Steinbacher (violin)
Radio Symphony Orchestra Berlin, Marek Janowski
…in a haunting performance of Szymanowski's Violin Concerto No. 1 the solo part seems to float in over a lush orchestra. Steinbacher's tone is sweet, her playing poised - in satisfying contrast... — More…
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Honeck's interpretation is rich in imagination and the playing of the Pittsburgh Symphony scales the heights...I would say that Manfred Honeck is one of the few remaining masters of the rostrum... — More…
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Hearing these two E minor symphonies side by side proved far more stimulating than I anticipated. The orchestral playing is absolutely first-class and Hrůša’s conception of the music is totally... — More…
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Hrusa has the measure of both works’ charm, their geniality, their flow. In both he segues naturally between boisterousness and melancholy earning. There is a warm glow to his sound, a pride... — More…
