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Christian Tetzlaff plays Dvorak & Suk
Christian Tetzlaff (violin)
Helsinki Philharmonic Orchestra, John Storgårds
Awards:
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Gramophone Magazine, March 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2016, Shortlisted - Concerto
John Storgards and the Helsinki Philharmonic provide attentive and flexible accompaniment, and Tetzlaff’s tone throughout is unfailingly beautiful…this well recorded account will appeal to those...
Christian Tetzlaff plays Dvorak & Suk
Christian Tetzlaff (violin)
Helsinki Philharmonic Orchestra, John Storgårds
Purchase product
Awards:
-
Gramophone Magazine, March 2016, Editor's Choice
-
Presto Recordings of the Year, Finalist 2016
-
Gramophone Awards, 2016, Shortlisted - Concerto
John Storgards and the Helsinki Philharmonic provide attentive and flexible accompaniment, and Tetzlaff’s tone throughout is unfailingly beautiful…this well recorded account will appeal to those...
About
Ondine is proud the present this exciting program by the award-winning violinist Christian Tetzlaff. This new recording includes works for violin andorchestra by two Czech composers closely connected to each other, AntonínDvořak and Josef Suk. Tetzlaff is accompanied by the HelsinkiPhilharmonic Orchestra conducted by John Storgårds.
Contents and tracklist
Work length23:29
This work is only available as an album download.
Awards and reviews
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Gramophone MagazineMarch 2016Editor's Choice
-
Presto Recordings of the YearFinalist 2016
June 2016
John Storgards and the Helsinki Philharmonic provide attentive and flexible accompaniment, and Tetzlaff’s tone throughout is unfailingly beautiful…this well recorded account will appeal to those who favour the Romantic over the Classical.
March 2016
John Storgårds inspires energetic playing from the Helsinki Philharmonic…once into the fray Tetzlaff draws on an exceptionally wide range of colours and nuances…individual but utterly persuasive…excellent, full-bodied sound.
10th March 2016
[Tetzlaff is] the kind of musician who gets under the skin of a piece and gives what the music needs, rather than applying his own house style no matter what. His performance of Dvořák’s Concerto in A minor is glorious and questioning... But the real brilliance is in the vulnerability and tenderness he reveals in quiet melodies.