Browse: SACD, Strauss, R (composer)
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Awards:
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Record Review, 18th June 2022, Record of the Week
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Did Jurowski need to record the work again after his spectacular London Philharmonic Orchestra two-disc set?...The production here gives one good reason; the other is the pacing, never rushed... — More…
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Record Review, 14th August 2021, Record Review
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Symphonic Music
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These militant, tightly controlled, sometimes breathtaking performances demand to be heard and may divide opinion. — More…
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This is sensational!...at no point in the programme do you feel that the technical and intellectual demands are in any way compromising her interpretations, which are wholly excellent. — More…
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Gramophone Magazine, September 2021, Recording of the Month
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Strauss, R: Der Rosenkavalier Brigitte Fassbaender (Octavian), Claire Watson (Marschallin), Karl Ridderbusch (Ochs), Lucia Popp (Sophie), Benno Kusche (Faninal), Annelie Waas (Marianne), David Thaw (Valzacchi), Margarethe Bence (Annina) & Gerhard Unger (Italian singer)
Bavarian State Opera, Carlos Kleiber
This performance from 1973 is notable for its extraordinary textural clarity, in this densest of scores, and its rhythmic vitality. The vocal hero of the occasion is Brigitte Fassbaender as... — More…
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Gramophone Awards, 2009, Finalist - Historic Archive
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Gramophone Magazine, April 2009, Editor's Choice
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The night opening is evocatively veiled, the mountain theme especially, and moves organically to its spiritual sunrise. Throughout there's a natural sense of pace between vigorous clambering... — More…
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BBC Music Magazine Awards, 2014, Orchestral Finalist
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BBC Music Magazine, March 2013, Orchestral Choice
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Strauss, R: Salome Emily Magee (Salome), Wolfgang Koch (Jochanaan), Michaela Schuster (Herodias), Peter Bronder (Herodes), Benjamin Bruns (Narraboth)
Frankfurt Radio Symphony, Andres Orozco-Estrada
What we gain here in exemplary clarity of Strauss’s sonic spider-web we lose in momentum for, say, the climactic welter which ends in Jokanaan’s curse…Magee as the spoiled princess propels the... — More…
Awards:
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Gramophone Magazine, January 2018, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Opera
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Richard Strauss: Symphonia Domestica & Die Tageszeiten
RecommendedRundfunk-Sinfonieorchester Berlin & Rundfunkchor Berlin, Marek Janowski
those who don't know the least often heard of the symphonic poems should be amazed by Marek Janowski's sympathetic, detailed interpretation; but even Straussians don't often get to hear Die Tageszeiten…I... — More…
Awards:
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BBC Music Magazine Awards, 2016, Orchestral Finalist
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Presto Recordings of the Year, Finalist 2015
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Strauss: Rosenkavalier Suite, Tod und Verklärung & Macbeth Singapore Symphony Orchestra, Lan Shui
[Tod und Verklärung] Without question and in any event this is the lushest reading of the tone poem I have ever heard. Shui so richly blends his orchestra that one could at first think the horns... — More…
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Soirée
RecommendedMagdalena Kožená (mezzo), Sir Simon Rattle (piano), Rahel Rilling (violin), Wolfram Brandl (violin), Yulia Deyneka (viola), David Adorjan (cello), Andrew Marriner (clarinet)
There is some lovely singing from Kožená, whose fawn-tinted mezzo retains its attractive quality from her earliest discs…She sings the two Brahms collections well, especially the Ophelia Songs,... — More…
Awards:
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Presto Recording of the Week, 13th September 2019
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International Classical Music Awards, 2019, Nominee - Assorted Program
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