Latest update: Due to disruptions after a recent warehouse move by the UK’s largest music distributor, the supply of various labels including Decca, DG, Sony, and Harmonia Mundi are subject to significant delays. Please continue to order products from these labels, as the situation should be back to normal within the next few weeks. This is affecting all UK music retailers at the present time. If you have any questions please do contact us.
Browse: DVD Video, Teatro La Fenice (opera company)
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Carl Orff: Carmina Burana Regula Mühlemann (soprano), Michael Schade, Markus Werba, Coro Del Teatro La Fenice, Piccoli Cantori Veneziani, Fabio Luisi
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Wolf-Ferrari: La Vedova Scaltra
Anne-Lise Sollied, Maurizio Muraro, Emanuele D’Aguanno, Mark Milhofer, Riccardo Zanellato & Elena Rossi
Orchestra and Chorus of the Teatro La Fenice, Venice, Karl Martin
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Britten: Death in Venice
Marlin Miller (Gustav von Aschenbach), Razek François Bitar (Voice of Apollo), Scott Hendricks (Traveller and other roles), Alessandro Riga (Tadzio), Danilo Palmieri (Jaschiu)
Teatro La Fenice, Bruno Bartoletti
No other production of this opera has so successfully transported the audience through a series of fully conceived sets...Marlin Miller sings with a refined lyrical sensibility...the beauty and... — More…
Awards:
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Gramophone Awards, 2011, Finalist - DVD Performance
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Donizetti: Maria Stuarda
Sonia Ganassi (Elisabetta), Fiorenza Cedolins (Maria Stuarda), Jose Bros (Leicester), Mirco Palazzi (Talbot), Pervin Chakar (Anna), Marco Caria (Cecil)
Orchestra of the Teatro La Fenice, Fabrizo Maria Carminati
Maestro Carminati looks an amiable, gentle soul as he enters the pit but he unleashes a firestorm of tension and passion in the big duets and his judicious tempi bind Donizetti's not-so-easy... — More…
Awards:
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Gramophone Magazine, May 2011, DVD of the Month
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Bellini: La Sonnambula
Giovanni Battista Parodi (Rodolfo), Julie Mellor (Teresa), Jessica Pratt (Amina), Shalva Mukeria (Elvino)
Orchestra e Coro del Teatro La Fenice, Gabriele Ferro
Bepi Morassi's production...takes the piece with a pinch of irony, but arguably no more than intended by its creators...Pratt's blonde bombshell of an Amina shows good range of technical skills... — More…
Awards:
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Gramophone Magazine, March 2014, DVD of the Month
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Mosca, Luca: Signor Goldoni
Barbara Hannigan (Despina), Alda Caiello (L’anzolo Rafael), Cristina Zavalloni (Mirandolina), Sara Mingardo (Desdemona), Michael Bennett (Arlecchino), Chris Ziegler (Baffo), Roberto Abbondanza (Goldoni) & Michael Leibundgut (Othello)
Orchestra and chorus of Teatro La Fenice, Andrea Molino...
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Bellini: I Capuleti e I Montecchi
Jessica Pratt (Giulietta), Sonia Ganassi (Romeo), Shalva Mukeria (Tebaldo), Rubén Amoretti (Capellio), Luca Dall'Amico (Lorenzo)
Teatro La Fenice, Omer Meir Wellber, Arnaud Bernard
Omer Meir Wellber conducts a sympathetic account of the score, well played by La Fenice’s orchestra. If you’re looking for a safe, traditional Capuleti, this could very well fit the bill. — More…
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Verdi: Luisa Miller
Darina Takova (soprano), Giuseppe Sabbatini (tenor), Alexander Vinogradov (bass), Damiano Salerno (baritone), Ursula Ferri (contralto), Arutjun Kotchinian (bass), Luca Favaron (tenor) & Elisabetta Martorana (soprano), Director: Arnaud Bernard / Sets: Alessandro Camera and Video director: Tiziano...
This mediocre opera needs stronger atmosphere than it gets in this strangely monumental staging for a domestic drama. The singing and conducting is strong, but it is more convincing to just... — More…
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Strauss, R: Daphne
June Anderson (soprano), Roberto Saccà (tenor), Scott Mac Allister (tenor) & Daniel Lewis Williams (bass0
rchestra e Coro del Teatro La Fenice di Venezia, Stefan Anton Reck (conductor) & Paul Curran (director)
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Verdi: Otello
Gregory Kunde (Otello), Carmela Remigio (Desdemona), Lucio Gallo (Iago), Elisabetta Martorana (Emilia)
Orchestra del Teatro La Fenice, Myung-whun Chung
The main strength of the performance is the taut conducting of Myung-Whun Chung, who barely lets the tensions drop for a second...Kunde, a genuine tenor rather than baritonal Otello, is strong... — More…
