CD, Glass, P (composer)
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This is a highly considered collection of performances, with close attention paid to phrasing, articulation and voicing. Lapwood has successfully delivered an album that cements her status as... —
Awards:
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Presto Recordings of the Year, Finalist 2023
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Opus Klassik Awards, 2024, Winner - Solo Instrumental Recording of the Year
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Opus Klassik Awards, 2024, Nominated - Young Talent of the Year
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This is an achievement on a pretty spectacular new level, and the range of musical sensibility she demonstrates here is vast...her rhythmic sense [in the Ligeti] keeps the music aloft and totally... —
Awards:
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Gramophone Magazine, June 2024, Editor's Choice
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BBC Music Magazine, August 2024, Insturmental Choice
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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Ólafsson’s interpretations inhabit a unique, distinct and extraordinary world all their own...[he] possesses that rare gift of illuminating a familiar work in unexpected ways, revealing hidden... —
Awards:
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Gramophone Magazine, April 2017, Editor's Choice
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Presto Recordings of the Year, Finalist 2017
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The New York Times, Recordings of the Year 2017
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Four Hands
RecommendedAlexandre Tharaud (piano), Bruce Liu (piano), David Fray (piano), Beatrice Rana (piano), Nicholas Angelich (piano), Alexander Melnikov (piano), Bertrand Chamayou (piano), Gautier Capuçon (piano), Juliette (piano), Michel Dalberto (piano), Víkingur Ólafsson (piano), Momo Kodama (piano), Mariam Batsashvili...
One of Tharaud’s aims is to reveal repertoire which has been largely lost, and in this respect he is resoundingly successful...Everything here has charm, and radiates what should always be the... —
Awards:
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Presto Recording of the Week, 10th May 2024
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BBC Music Magazine, July 2024, Instrumental Choice
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This outstanding CD from the Istanbul-based Borusan quartet explores a diverse collection of modern string quartets with tremendous spirit and poise…With its intriguing programming and flawless... —
Awards:
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BBC Music Magazine, January 2018, Chamber Choice
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another stimulating and imaginatively curated programme of short pieces and improvisations, going back and forth between various acoustic and electronic keyboards. —
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That Máire Carroll still holds the attention af ter two hours of listening is testament to her achievement in this regard, in performances that also always stay true to the spirit of the composer. —
