CD, Busoni (composer)
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The sequence works well as a recital-like experience, and also as a vehicle for Hough’s comprehensive mastery of his art...The idiom of his own ‘Vida breve’ Sonata, with its cogent sweep and... —
Awards:
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Gramophone Magazine, Critics' Choice 2021
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Gramophone Magazine, February 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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A charm of lullabies, or an excess? If anyone could convince you that mostly slow and soft can work as an album sequence, it would be sonic magician Bertrand Chamayou...Within the narrow compass... —
Awards:
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Gramophone Magazine, Awards Issue 2020, Editor's Choice
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Presto Recording of the Week, 16th October 2020
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Presto Recordings of the Year, Finalist 2020
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Busoni: Toccata, BV 287, Elegien, BV 252, Sonatina No. 6, BV 284 & Toccata, Adagio & Fugue in C Major, BV B 29 No. 1
RecommendedPeter Donohoe (piano)
if some of the works here make uncomfortable listening – despite Donohoe’s keyboard brilliance – that is because Busoni himself disdained aural comfort...But the Toccata BV 29, being a transcription... —
Awards:
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Presto Recording of the Week, 6th August 2021
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Presto Recordings of the Year, Finalist 2021
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BBC Music Magazine Awards, 2022, Shortlisted - Instrumental
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Busoni: Piano Concerto
RecommendedRecorded live at Symphony Hall, Boston, MA, March 10-11, 2017
Kirill Gerstein (piano)
Boston Symphony Orchestra, Men of the Tanglewood Festival Chorus, Sakari Oramo
Gerstein and Oramo are impressive in their focus throughout the work’s opening movement, and the whirl forwards towards its close has a tremendous power to it…As [the slow movement] progresses,... —
Awards:
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Gramophone Awards, 2019, Finalist - Concerto
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Presto Recordings of the Year, Finalist 2019
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Limelight Magazine Recordings of the Year, 2019, Nominated - Orchestral
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BBC Music Magazine Awards, 2020, Finalist - Concerto
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International Classical Music Awards, 2020, Winner - Concerto
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the performances...are all you could hope from a player of such quality, faced with repertoire he might have been born to interpret. This is playing of a very high order, such as...one seldom... —
Awards:
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Gramophone Awards, 2014, Finalist - Instrumental
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Diapason d’Or de l’Année, 2014, Winner - Piano
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The way Levit has formed this programme is extraordinarily effective. The Brahms reworking for left hand of Bach’s D minor violin Chaconne is a probing, introverted affair, and how effectively... —
Awards:
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Gramophone Magazine, November 2018
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Presto Recording of the Week, 5th October 2018
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Opus Klassik Awards, 2019, Winner - Instrumentalist of the Year (piano)
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Gramophone Awards, 2019, Finalist - Instrumental
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Limelight Magazine Recordings of the Year, 2019, Nominated - Instrumental
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New. The Romantic Piano Concerto (1991 - 2007 Edition)
Featuring pianists including Stephen Hough, Seta Tanyel, Piers Lane, Nikolai Demidenko, Martin Roscoe, Howard Shelley, Peter Donohoe, Marc-André Hamelin and Steven Osborne
Is this handsomely produced box-set worth acquiring? As a work of art alone, yes! If you have not encountered these works before, do not hesitate. Dip in anywhere and you will be rewarded. Assuming... —
Awards:
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Gramophone Magazine, May 2026, Editor's Choice
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Most of these pieces are light, even frothy morceaux, and Plowright does not overstate the musical case for them beyond their obvious delights of refinement and dexterity. But he balances them... —
Awards:
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Gramophone Magazine, April 2010, Editor's Choice
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the intensity doesn’t let up, but neither does the quality of the playing...Indebted to Bach and to Liszt, the Fantasia Contrappuntistica can be an impenetrable work. Levit’s approach is lucid... —
Awards:
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Presto Recording of the Week, 29th September 2023
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Nominated - Solo Instrument
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Opus Klassik Awards, 2024, Nominated - Solo Instrumental Recording of the Year
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The Romantic Piano Concerto 22 - Busoni
Marc-André Hamelin (piano)
City of Birmingham Symphony Orchestra, Mark Elder
Busoni's Piano Concerto has never become a repertoire piece. It fits awkwardly into a concert programme, due to its length and its choral finale, and the extreme difficulty of its solo writing... —
