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Special offer. Busoni: Toccata, BV 287, Elegien, BV 252, Sonatina No. 6, BV 284 & Toccata, Adagio & Fugue in C Major, BV B 29 No. 1

Peter Donohoe (piano)

Busoni: Toccata, BV 287, Elegien, BV 252, Sonatina No. 6, BV 284 & Toccata, Adagio & Fugue in C Major, BV B 29 No. 1

Awards:

if some of the works here make uncomfortable listening – despite Donohoe’s keyboard brilliance – that is because Busoni himself disdained aural comfort...But the Toccata BV 29, being a transcription...

Special offer. Busoni: Toccata, BV 287, Elegien, BV 252, Sonatina No. 6, BV 284 & Toccata, Adagio & Fugue in C Major, BV B 29 No. 1

Peter Donohoe (piano)

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This release includes a digital booklet

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Awards:

if some of the works here make uncomfortable listening – despite Donohoe’s keyboard brilliance – that is because Busoni himself disdained aural comfort...But the Toccata BV 29, being a transcription...

About

Peter Donohoe CBE studied at Chetham’s School of Music and Leeds University before going on to study at the Royal Northern College of Music with Derek Wyndham and in Paris with Olivier Messiaen and Yvonne Loriod. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility, and commanding technique. He first came across the works of Busoni in the early 1980s and, as he states in his booklet note, ‘Busoni’s contribution to the musical history of the twentieth century is inestimable, and I feel very much enriched by the several decades of my exposure to it.’ The programme he has chosen includes three of the pinnacles of Busoni’s virtuosic output: the Toccata, BV 287, the seven Elegien, and the Sonatina on Bizet’s Carmen, alongside the much earlier Bach transcription of which Peter Donohoe writes: ‘The Toccata, in particular, has always struck me as one of the most joyous pieces in the history of instrumental music, and Busoni’s transcription certainly brings out that joy.’

Contents and tracklist

I. Preludio. Quasi presto, arditamente
Track length1:16
II. Fantasia. Sostenuto, quasi adagio
Track length5:47
III. Ciaccona. Allegro risoluto
Track length3:30
No. 1, Nach der Wendung
Track length4:28
No. 2, All' Italia! In modo napolitano
Track length7:34
No. 3, Meine Seele bangt und hofft zu Dir
Track length7:37
No. 4, Turandots Frauengemach
Track length3:20
No. 5, Die Nächtlichen. Walzer
Track length3:01
No. 6, Erscheinung. Notturno
Track length5:55
No. 7, Berceuse. An Johan Wijsman
Track length3:49
I. Toccata. Preludio, quasi improvvisando
Track length7:02
II. Adagio. Intermezzo
Track length5:01
III. Fuga. Moderatamente scherzando
Track length4:42

Spotlight on this release

Awards and reviews

October 2021

if some of the works here make uncomfortable listening – despite Donohoe’s keyboard brilliance – that is because Busoni himself disdained aural comfort...But the Toccata BV 29, being a transcription of Bach’s Toccata, Adagio and Fugue BWV 564, allows Donohoe’s artistry to flower. The first movement has a majestically cathedral sound, and the Adagio has grave beauty, with the Fugue flying exhilaratingly high.

October 2021

his performances here exhibit a seasoned intimacy with this repertory…Performances of this calibre suggest that, at long last, Busoni’s music may be coming into its own.

6th August 2021

From the opening bars of the Toccata from 1921 (new to me), which bursts into life like an exploding glitter-ball, Donohoe’s delight in this music is infectious – here and throughout the album, he strikes a captivating balancing-act which shines a spotlight on Busoni’s often outlandish technical demands whilst never leaving you in any doubt that he’s got them completely under control.

25th July 2021

Donohoe, always musically convincing, overcomes all technical challenges with apparent and disarming ease.
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