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Browse: Blu-Ray Video, Francesco Meli (tenor)
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Verdi: I Due Foscari
Placido Domingo, Francesco Meli, Anna Pirozzi & Chiara Isotton
Chorus and Orchestra of Teatro alla Scala, Michele Mariotti
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Verdi: Giovanna d'Arco
Anna Netrebko (Giovanna), Francesco Meli (Carlo VII), Carlos Álvarez (Giacomo), Michele Mauro (Delil) & Dmitry Beloselskiy (Talbot)
Coro e Orchestra del Teatro alla Scala, Riccardo Chailly
Moshe Leiser and Patrice Caurier’s production was the 2015-16 season-opener at La Scala…It’s as camp as a row of tents, but visually striking all the same…Netrebko is in magnificent voice, especially... — More…
Awards:
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International Opera Awards, 2019, Nominated - Complete Opera Recording
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Verdi: Un ballo in maschera
Francesco Meli (Riccardo), Vladimir Stoyanov (Renato), Kristin Lewis (Amelia), Elisabetta Fiorillo (Ulrica), Serena Gamberoni (Oscar), Filippo Polinelli (Silvano), Antonio Barbargallo (Samuel), Enrico Rinaldo (Tom)
Teatro Regio di Parma, Gianluigi Gelmetti
It's aptly cast - Francesco Meli's Riccardo with fine legato, Stoyanov an uncommonly civilised Renato whose remorse after the assassination is all the more credible, Samuel and Tom not overdone... — More…
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Offer,
Verdi: Requiem Krassimira Stoyanova (soprano). Veronica Simeoni (mezzo-soprano), Francesco Meli (tenor), Georg Zeppenfeld (bass)
Ballett Zürich, Philharmonia Zürich, Chor und Zusatzchor der Oper Zürich, Fabio Luisi
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Verdi: I Lombardi alla prima crociata
Roberto de Biasio (Arvino), Michele Pertusi (Pagano), Cristina Giannelli (Viclinda), Dimitra Theodossiou (Giselda), Roberto Tagliavini (Pirro), Valdis Jansons (Acciano), Francesco Meli (Oronte), Daniela Pini (Sofia)
Orchestra e Coro del Teatro Regio di Parma, Daniele Callegari
Pugelli’s production reveals a series of beautiful backdrops and the costumes are a hippy’s tie-die heaven, albeit rather more chic... The singing is forthright. Michele Pertusi’s bass provides... — More…
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Verdi: Simon Boccanegra
Leo Nucci (Simon Boccanegra), Robert Scandiuzzi (Jacopo Fiesco), Simone Piazzola (Paolo Albiani), Paolo Pecchioli (Pietro), Tamar Iveri (Amelia/Maria), Francesco Meli (Gabriele Adorno)
Orchestra e Coro del Teatro Regio di Parma, Daniele Callegari
The solo singing is adequate and often more than that and dominated by Leo Nucci’s portrayal of the eponymous role...Scandiuzzi as Boccanegra’s implacable foe, Fiesco, is sonorous and acts well...Tamar... — More…
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Verdi: Requiem
Dimitra Theodossiou (soprano), Sonia Ganassi (mezzo), Francesco Meli (tenor), Riccardo Zanellato (bass)
Orchestra e Coro del Teatro Regio di Parma, Yuri Temirkanov
The soloists are all very satisfactory but the performance, whilst precise, is not urgent and indeed seems a bit slow. — More…
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Verdi: I Due Foscari
Plácido Domingo (Francesco Foscari), Francesco Meli (Jacopo Foscari), Anna Pirozzi (Lucrezia Contarini), Chiara Isotton (Pisana), Andrea Concetti (Jacopo Loredano), Edoardo Milletti (Barbarigo)
Coro e Orchestra del Teatro alla Scala, Michele Mariotti, Alvis Hermanis (dir.)
Even if he still sounds like a tenor singing in his lower range rather than a true baritone, Doming’s Artistic commitment remains exceptional, and vocally this is a remarkable achievement at... — More…
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Verdi: I Lombardi alla prima crociata
Angela Meade (Giselda), Francesco Meli (Oronte), Alex Esposito (Pagano), Giuseppe Gipali (Arvino), Livinia Bini (Viclinda), Alexandra Zabala (Sofia), Antonio Di Matteo (Pirro), Giuseppe Capoferri (Acciano), Joshua Sanders (Prior of Milan)
Orchestra e Coro del Teatro Regio Torino, Michele Mariotti...
“Best of all is Angela Meade’s Giselda... she rips excitingly through the role’s challenges, bringing the house down with a thrilling Act II aria.” — More…
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Verdi: I Due Foscari
Plácido Domingo (Francesco Foscari), Francesco Meli (Jacopo Foscari) & Maria Agresta (Lucrezia Contarini), Maurizio Muraro (Jacopo Loredano), Samuel Sakker (Barbarigo), Rachel Kelly (Pisana), Lee Hickenbottom (Fante), Dominic Barrand (Servant)
Royal Opera Chorus & Orchestra of the Royal...
Domingo’s vital engagement in a role in which signs of his vocal age work to his advantage makes his central contribution a considerable achievement — More…
