Lorin Maazel
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Ravel: L'enfant et les Sortileges & L'heure Espagnole
RecommendedBerlin Radio Symphony Orchestra, Orchestre National de la RTF, Berliner Philharmoniker, Lorin Maazel
The singing is delightful: neoclassical crispness of articulation goes with refined textures that convey the ripe humour of the one piece, the tender poetry of the other.The inclusion of [the... —
Awards:
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Gramophone Awards, 1989, Winner - Remastered CD
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Penguin Guide, Rosette
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Building a Library, September 2018, Also Recommended
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Special offer. Bizet: Carmen
RecommendedJulia Migenes (Carmen), Plácido Domingo (Don José), Ruggero Raimondi (Escamillo), Faith Esham (Micaëla), Susan Daniel (Mercédès), Lilian Watson (Frasquita), François Le Roux (Moralès), John Paul Bogart (Zuniga)
Choeurs et Maîtrise de Radio France & Orchestre National de France, Lorin Maazel
Awards:
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Grammy Awards, 27th Awards (1984), Best Opera Recording
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Verdi: Otello
RecommendedPlacido Domingo (Otello), Katia Ricciarelli (Desdemona), Justino Diaz (Iago), Ezio Di Cesare (Cassio), Constantin Zaharia (Rodrigo), John Macurdy (Lodovico), Edward Toumajian (Montano), Petra Malakova (Emilia)
Coro e Orchestra del Teatro alla Scala di Milano, Lorin Maazel
another fine performance from Domingo and generally taut subtle control from Maazel, particularly good in the spacious, tenderly emotional treatment of the final scene —
Awards:
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Penguin Guide, Rosette
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Bartok - The Concerto Album
RecommendedKyung-Wha Chung, Sviatoslav Richter, Martha Argerich, Dmitry Sitkovetsky, Tabea Zimmermann
Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Orchestre de Paris, Orchestre Symphonique de Montréal, Philharmonia Orchestra, Symphonieorchester des Bayerischen Rundfunks, Philadelphia...
The interpretation is passionate, but she finds time for a dreamy lyricism that never cloys - most of all, in Bartók's nocturnal variations in the poetic middle movement. —
Awards:
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Building a Library, February 2008, First Choice
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Gramophone Awards, 1994, Winner - Concerto
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Rarely did Emil Gilels sound as abandoned and fiery in the studio as here with Lorin Maazel and the New Philharmonia. Even the scaled-down Siloti edition of the Second Concerto emerges as convincing. —
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Prokofiev - Concertos
RecommendedEfrem Kurtz, Walter Susskind, Martha Argerich, Frank Peter Zimmermann, Michel Béroff & János Starker
Philharmonia Orchestra, City of Birmingham Symphony Orchestra, Orchestre symphonique de Montréal, Berliner Philharmoniker, Simon Rattle, Charles Dutoit, Lorin Maazel & Riccardo Muti
Awards:
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Building a Library, January 2019, Also Recommended
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Ravel: Piano Concerto in G major, etc.
RecommendedJean-Philippe Collard (piano)
Orchestre National de France, Lorin Maazel
Awards:
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Gramophone Awards, 1980, Winner - Concerto
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Strauss, R: Romance in F major, AV 75, etc.
Steven Isserlis (cello), Stephen Hough (piano)
Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel
A remarkably astute survey of Strauss's works for cello in demonstration quality sound. —
Awards:
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Gramophone Magazine, September 2001, Editor's Choice
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Lloyd Webber, A: Requiem
RecommendedPlácido Domingo (tenor), Sarah Brightman (soprano), Paul Miles-Kingston (treble)
Choir of Winchester Cathedral & English Chamber Orchestra, Lorin Maazel
Awards:
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Grammy Awards, 28th Awards (1985), Best Contemporary Classical Composition
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Dvorak: Cello Concerto and Dumky-Trio
RecommendedYo-Yo Ma (cello), Emanuel Ax (piano), Young Uck Kim (violin)
Berliner Philharmoniker, Lorin Maazel
Awards:
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Building a Library, October 2019, Also Recommended
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