Browse: Ferrari, Benedetto (composer)
This page lists all recordings composed by Benedetto Ferrari (c.1603–1681).
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Offer,
Music For A While - Baroque Melodies Anne Sofie Von Otter (Soprano), Jakob Lindberg (guitar & lute), Anders Ericson (theorbo) & Jory Vinikour (harpsichord & organ)
Awards:
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Gramophone Magazine, May 2005, Editor's Choice
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Via Crucis
Rappresentazione della gloriosa Passione di Cristo
Philippe Jaroussky (counter tenor) & Nuria Rial (soprano)
L’Arpeggiata & Ensemble Barbara Fortuna (Corsican Choir), Christina Pluhar
the sound they make is gorgeous, lush in texture, with splendid performances from soprano Nuria Rial and countertenor Philippe Jaroussky...Like the vocalists, the instrumentalists of L'Arpeggiata... — More…
CD
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Un secolo cantante. The Rise of Venetian Opera
Emmanuelle de Negri (soloist), Zachary Wilder (soloist), Blandine Staskiewicz (soloist), Paul-Antoine Bénos-Djian (soloist), Salvo Vitale (soloist)
Le Stagioni, Paolo Zanzu
CD
$16.50Downloads
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La bella piu bella
Songs from early baroque Italy
Roberta Invernizzi (soprano) & Craig Marchitelli (archlute & theorbo)
This is vocal writing that thrives on extremes: complex, emphatic, dissonant and brilliantly embellished...Invernizzi is a fearless singer. Some notes are stripped violently dry and thin, others... — More…
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
CD
$17.00Downloads
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CD
Original price ($15.75) Reduced price $13.25Downloads
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Franco Fagioli: Canzone e Cantate
Franco Fagioli (countertenor), Luca Pianca (lute), Marco Frezzato (cello), Jörg Halubek (harpsichord)
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The Dowland Project - Care-charming Sleep
John Potter (voice)
The Dowland Project - Stephen Stubbs (chitarrone, baroque guitar), John Surman (soprano saxophone, bass clarinet), Maya Homburger (violin), Barry Guy (double bass)
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Odi Euterpe
Italian monody in the early 17th century
Rosa Domínguez (mezzo), Mónica Pustilnik (archlute, Renaissance guitar & organ) & Dolores Costoyas (theorbo & Baroque guitar)
Rosa Dominguez has an attractively light and lyrical voice, warm in the middle register and bright in the upper one. Her phrasing is sensitive and improvised ornamentation in an appropriate style... — More…
CD
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What Artemisia Heard
Music and Art from the Time of Caravaggio & Gentileschi
El Mundo, Richard Savino
There’s plenty to enjoy here, in a project that perhaps suffers from excessive ambition — More…
CD
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