Okka von der Damerau
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Mussorgsky: Boris Godunov (1869 Version)
Alexander Tsymbalyuk (Boris), Maxim Paster (Shuisky), Mika Kares (Pimen), Sergei Skorokhodov (Grigory), Okka von der Damerau (The Innkeeper), Alexey Tikhomirov (Varlaam), Hanna Husáhr (Xenia), Johanna Rudström (Feodor)
Gothenburg Symphony Orchestra, Kent Nagano
...this performance is excellent, beautifully sung and cogently paced. The cast is mostly Russophone, which ensures mostly accurate pronunciation...this version is in any case indispensable... — More…
Awards:
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Record Review, 28th September 2019, Disc of the Week
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International Classical Music Awards, 2019, Nominee - Opera
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Special offer. Wagner: Die Walküre
RecommendedMatthias Goerne (Wotan), Petra Lang (Brünnhilde), Michelle DeYoung (Fricka), Stuart Skelton (Siegmund), Heidi Melton (Sieglinde), Falk Struckmann (Hunding), Sarah Castle (Waltraute), Karen Foster (Gerhilde), Katherine Broderick (Helmwige), Anna Burford (Schwertleite), Elaine McKrill (Ortlinde), Aurhelia...
Drawing airy, luminescent textures from the Hong Kong players, [van Zweden] drives the drama excitingly [and] his singers respond superbly…Goerne brings Wotan’s fearful conflicts of love and... — More…
Awards:
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Presto Recording of the Week, 11th November 2016
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BBC Music Magazine, January 2017, Opera Choice
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Presto Recordings of the Year, Finalist 2016
4 CDs
$35.00Downloads
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Richard Wagner: Götterdämmerung
Clay Hilley (Siegfried), Nina Stemme (Brünnhilde), Albert Pesendorfer (Hagen), Jordan Shanahan (Alberich), Aile Asszonyi (Gutrune/Dritte Norn), Thomas Lehman (Gunther), Okka von der Damerau (Waltraute)
Orchestra and Chorus of the Deutsche Oper Berlin, Stefan Herheim, Sir Donald Runnicles
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Richard Wagner: Götterdämmerung
Clay Hilley (Siegfried), Nina Stemme (Brünnhilde), Albert Pesendorfer (Hagen), Thomas Lehman (Gunther), Aile Asszonyi (Gutrune/Third Norn)
Orchestra and Chorus of the Deutsche Oper Berlin, Stefan Herheim, Sir Donald Runnicles
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Special offer. Wagner: Der Ring des Nibelungen (Highlights)
Matthias Goerne (Wotan), Petra Lang (Brünnhilde - Die Walküre), Heidi Melton (Sieglinde/Brünnhilde - Siegfried), Gun-Brit Barkmin (Brünnhilde - Götterdämmerung), Daniel Brenna (Siegfried - Götterdämmerung), Simon O’Neill (Siegfried - Siegfried); Hong Kong Philharmonic Orchestra, Jaap van Zweden
With excellent sound, singing that is often way above average and a production team that appreciates the stormier elements of Wagner’s humbling rhetoric, we have a Ring that shoots straight... — More…
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Mozart: Serenade No. 10, 'Gran partita', Requiem (Fragment), Ave verum corpus [Live]
Michael Schade (tenor), Okka von der Damerau (mezzo-soprano), Christof Fischesser (bass), Mojca Erdmann (soprano)
Münchner Philharmoniker, Philharmonischer Chor München, Zubin Mehta
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Lieder im Volkston
Songs in the Style of Folk Music
Regula Mühlemann (soprano), Okka von der Damerau (mezzosoprano), Wolfgang Schwaiger (baritone), Tareq Nazmi (bass), Adrian Baianu (piano)
CD
$14.75Downloads
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Duruflé: Requiem & Respighi: Concerto Gregoriano
Henry Raudale (organ), Okka von der Damerau (mezzo), Ljubomir Puškari (baritone), Max Hanf (cello)
Munchner Rundfunkorchester, Chor des Bayerischen Rundfunks, Ivan Repušić
CD
$16.75Downloads
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Wagner: Der Ring des Nibelungen
Nina Stemme (Brünnhilde), Clay Hilley (Siegfried), Derek Welton (Wotan - Das Rheingold), Iain Paterson (Wotan - Die Walküre/Wanderer), Elisabeth Teige (Sieglinde), Brandon Jovanovich (Siegmund), Albert Pesendorfer (Hagen)
Deutsche Oper Berlin, Stefan Herheim, Sir Donald Runnicles
In finding the whole so much less than the sum of its parts, I return to the excellence of the singers, who deliver quite conventional accounts of their roles despite the non-canonical paraphernalia... — More…
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Wagner: Der Ring des Nibelungen
Nina Stemme (Brünnhilde), Clay Hilley (Siegfried), Derek Welton (Wotan - Das Rheingold), Iain Paterson (Wotan - Die Walküre/Wanderer), Elisabeth Teige (Sieglinde), Brandon Jovanovich (Siegmund), Albert Pesendorfer (Hagen)
Deutsche Oper Berlin, Stefan Herheim, Sir Donald Runnicles
In finding the whole so much less than the sum of its parts, I return to the excellence of the singers, who deliver quite conventional accounts of their roles despite the non-canonical paraphernalia... — More…