Brian Asawa

Paul Agnew, Brian Asawa, Laura Claycomb, Natalie Dessay, Véronique Gens, Juanita Lascarro, Marijana Mijanovic, Sara Mingardo, Anna Maria Panzarella, Patricia Petibon Concert d'Astrée, Emmanuelle Haim

Cecilia Bartoli (Sifare), Brian Asawa (Farnace), Natalie Dessay (Aspasia), Giuseppe Sabbatini (Mitridate), Juan Diego Flórez (Marzio), Hélène Le Corre (Arbate) Les Talens Lyriques, Christophe Rousset

Khatia Buniatishvili (piano), Czech Philharmonic Orchestra, Brian Asawa (countertenor), Academy of St Martin in the Fields, Alexis Weissenberg (piano), Ruth Laredo (piano), Arcadi Volodos (piano), Dmitri Alexeev (piano), St. Petersburg Philharmonic Orchestra, Yefim Bronfman (piano), Emanuel Ax (piano), Christian-Pierre La Marca & Lise de la Salle, Lise De La Salle, Nicolas Bartholomée (art director) Paavo Järvi, Sir Neville Marriner, Yuri Temirkanov

Anthony Rolfe Johnson (Ulisse), Graciela Araya (Penelope), Toby Spence (Telemaco), Jaco Huijpen (Antinoo), Christopher Gillett (Pisandro), Diana Montague (Minerva), Brian Asawa (Anfinomo) Baroque Ensemble Orchestra, Glen Wilson, stage direction by Pierre Audi

Diana Tash, Brian Asawa

London Classical Players/Sir Roger Norrington, William Christie/Choeurs et Orchestre des Arts Florissants/Anne Sofie von Otter, Sandrine Piau (soprano vocals), Elizabeth Norberg-Schulz (soprano vocals), Antonio Abete (bass), Giovanni Furlanetto (vocals), Anne Sofie von Otter (mezzo-soprano vocals), Sylvia Tro Santafé (mezzo-soprano vocals), Lawrence Zazzo (vocals), Choeurs Et Orchestre Des Arts Florissants (chorus), Choeurs des Arts Florissants (chorus), Orchestra of the Age of Enlightenment/Nicholas McGegan, Susan Sheppard (violoncello), Elizabeth Wallfisch (violin), Catherine MacKintosh (violin), Andrew Parrott (director), David Thomas (bass), Joseph Cornwell (tenor vocals), Emily Van Evera (soprano vocals), Emma Kirkby (soprano vocals), Jill Feldman (soprano vocals), Margaret Cable (contralto vocals), Mary Nichols (contralto vocals), Bob van Asperen/Catherine Mackintosh/Timothy Mason/Orchestra of the Age of Enlightenment, Bob Van Asperen (organ), Timothy Mason (cello), Bob Van Asperen (director), Mason (cello), Dame Emma Kirkby/Emily Van Evera/Margaret Cable/James Bowman/Joseph Cornwell/David Thomas/Taverner Choir/Taverner Players/Andrew Parrott, James Bowman (counter-tenor vocals), Juanita Lascarro/Brian Asawa/Le Concert d`Astrée/Emmanuelle Haïm, Étienne Collard (Musica Numeris) (executive producer), Laura Mónica Pustilnik (lute), Atushi Sakaï (violoncello), Brian Feehan (lute), Emmanuelle Haïm (organ), Emmanuelle Haïm (harpsichord), Emmanuelle Haïm (director), Paul Agnew (tenor vocals), Le Concert d`Astrée (performed by), Anna Maria Panzarella (soprano vocals), Le Concert D`Astrée (featured vocalist), Laura Claycomb (soprano vocals), Véronique Gens (soprano vocals), Natalie Dessay (soprano vocals), Juanita Lascarro (soprano vocals), Marijana Mijanovic (mezzo-soprano vocals), Sara Mingardo (vocals), Patricia Petibon (soprano vocals), Brian Asawa (counter-tenor vocals), Taverner Players/Andrew Parrott, Taverner Choir (chorus), Robert White/Ivor Bolton, Robert White (vocals), Linde Consort/Hans-Martin Linde, Hans-Martin Linde (director), Stephanie Blythe/David Daniels/Emmanuelle Haïm/Martin Isepp/John Nelson/Ensemble Orchestral de Paris, David Daniels (vocals), Ensemble Orchestral De Paris (lead vocals), Stephanie Blythe (vocals), Martin Isepp (harpsichord), Hugues Deschaux (Musica Numeris) (tonmeister), John Nelson (director), Emmanuelle Haïm/Le Concert d`Astrée/Sandrine Piau/Sara Mingardo/Laurent Naouri, Laurent Naouri (bass-baritone), Le Concert D`Astrée (lead vocals), King's College Choir, Cambridge/Academy of Ancient Music/Pavlo Beznosiuk/Alastair Ross/Benjamin Bayl/Stephen Cleobury, Pavlo Beznosiuk (concert master conductor), Pavlo Beznosiuk (orchestra leader), Alastair Ross (harpsichord), Benjamin Bayl (organ), Academy Of Ancient Music (lead vocals), Michael George (bass), Robin Blaze (counter-tenor vocals), Cambridge King's College Choir (lead vocals), Susan Gritton (soprano vocals), Pavlo Beznosiuk (leader), Daniel Hyde (organ), Andrew Parrott/Andrew Lawrence-King/Taverner Consort/Taverner Players, Andrew Lawrence-King (harp), Taverner Consort (lead vocals), Sviatoslav Richter (piano), Della Jones/City of London Baroque Sinfonia/Richard Hickox, Della Jones (mezzo-soprano vocals), Il Seminario Musicale (featured vocalist), Pascal Monteilhet (lute), Michel Henry (oboe), Blandine Rannou (harpsichord), Philippe Suzanne (flute), Serge Saitta (flute), Simon Heyerick (violin), Anita Mitterer (violin), Jacques Maillard (viola), Gérard Lesne (counter-tenor vocals), Richard Myron (violin), Bruno Cocset (violoncello), Gérard Lesne/Il Seminario Musicale, Il Seminario Musicale (lead vocals), Christine Brandes/Lynne Dawson/David Daniels/Ian Bostridge/Alastair Miles/Bach Choir/Ensemble Orchestral de Paris/John Nelson, Jory Vinikour (harpsichord), Guillaume Paoletti (violoncello), Jory Vinikour (2.Cd, [12]) (organ), Jean-Michel Riquebourg (2.Cd, [11]) (trumpet), Michel Toreilles (2.Cd, Eckhard Rudolph (violin), Ian Bostridge (vocals), Alastair Miles (bass), Guillaume Paoletti (2.Cd, [3]) (cello), BACH CHOIR, THE (performed by), THE (lead vocals), Christine Brandes (soprano vocals), Lynne Dawson (soprano vocals), Clara Novakova (1.Cd, Daniel Catalanotti (1.Cd, [13]) (horn), Jory Vinikour (1.Cd, [19]) (glockenspiel), [12] (flute), Philip Bride (violin), Christian Crenne (violin), Cappella Coloniensis/Hans-Martin Linde, Capella Coloniensis (lead vocals) London Classical Players, Orchestra Of The Age Of Enlightenment, Taverner Players, Le Concert D'Astrée, City Of London Baroque Sinfonia, Linde Consort, Linde Consort [1]-[22], Cappella Coloniensis [23]-[27], Ensemble O, Roger Norrington, Sir Roger Norrington, William Christie, Nicholas McGegan, Ivor Bolton, Alexander Briger, Stephen Cleobury, Richard Hickox

Brian Asawa Arcadian Academy, Nicholas MeGegan

Anna Moffo (soprano), American Symphony Orchestra, Morton Gould and his Orchestra, Vladimir Spivakov (violin), Sergei Bezrodny (piano), The Philadelphia Orchestra, Brian Asawa (countertenor), Academy of St Martin in the Fields, Evgeny Kissin (piano), Boston Symphony Orchestra, James Galway (flute), National Philharmonic Orchestra, Norman Luboff Choir, New Symphony Orchestra of London, Isao Tomita (keyboards), Plasma Symphony Orchestra, Wolfram Huschke (cello), Vitya Vronsky (piano), Victor Babin (piano), St. Petersburg Philharmonic, Ruth Ann Swenson (soprano), Warren Jones (piano) Leopold Stokowski, Sergei Rachmaninoff, Sir Neville Marriner, Seiji Ozawa, Charles Gerhardt, Yuri Temirkanov

Anna Moffo (soprano), American Symphony Orchestra, Morton Gould and his Orchestra, Vladimir Spivakov (violin), Sergei Bezrodny (piano), The Philadelphia Orchestra, Brian Asawa (countertenor), Academy of St Martin in the Fields, Evgeny Kissin (piano), Boston Symphony Orchestra, James Galway (flute), National Philharmonic Orchestra, Norman Luboff Choir, New Symphony Orchestra of London, Isao Tomita (keyboards), Plasma Symphony Orchestra, Wolfram Huschke (cello), Vitya Vronsky (piano), Victor Babin (piano), St. Petersburg Philharmonic, Ruth Ann Swenson (soprano), Warren Jones (piano) Leopold Stokowski, Sergei Rachmaninoff, Sir Neville Marriner, Seiji Ozawa, Charles Gerhardt, Yuri Temirkanov

Jake Heggie (piano), Renée Fleming (vocal), Sylvia McNair (vocal), Jennifer Larmore (vocal), Frederica von Stade (mezzo-soprano), Nicolle Foland (vocal), Emil Miland (vocal), Zheng Cao (vocal), Kristin Clayton (vocal), Carol Vaness (vocal), Brian Asawa (countertenor), Emil Miland (cello), Sylvia McNair (soprano)

Brian Asawa (countertenor) Academy of St Martin in the Field, Sir Neville Marriner

Brian Asawa (countertenor) Los Angeles Chamber Orchestra, Jeffrey Kahane

Jane Gilchrist (soprano), Philippe Jaroussky (countertenor), Joyce DiDonato (soprano, mezzo-soprano), Max Emanuel Cenčić (countertenor), Vivica Genaux (mezzo-soprano), Gérard Lesne (countertenor), David Daniels (countertenor), Eiddwen Harrhy (soprano), Arleen Auger (soprano), Stephanie Blythe (contralto), Emmanuelle Haïm (harpsichord), Sviatoslav Richter (piano), Joseph Cornwell (tenor), Margaret Cable (contralto), Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott, Toby Spence (tenor), Karine Deshayes (mezzo-soprano), Natalie Dessay (soprano), Juanita Lascarro/Brian Asawa/Le Concert d`Astrée/Emmanuelle Haïm, Brian Asawa (countertenor), Brian Feehan (lute), Juanita Lascarro (soprano), Slovak Radio Symphony Orchestra, Le Concert d'Astrée, Il Complesso Barocco, I Barocchisti, Il seminario Musicale, Orchestra of the Age of Enlightenment, Les Talens Lyriques, City of London Baroque Sinfonia, Ensemble Orchestral de Paris, Academy of St Martin in the Fields, Linde Consort, Cappella Coloniensis, Taverner Players, Choir of King's College Cambridge, English Chamber Orchestra, Taverner Choir, Le Chœur d'Astrée, Kirk Trevor, Alan Curtis, Diego Fasolis, Sir Roger Norrington, Christophe Rousset, Richard Hickox, John Nelson, Alexander Briger, Hans-Martin Linde, Nicholas McGegan, Andrew Parrott, Philip Ledger

The Hanover Band, Nicholas Mcgegan

Brian Asawa (countertenor), Brian Asawa (Arsamene), Judith Malafronte (Serse), Jennifer Smith (Romilda), Lisa Milne (Atlanta), Susan Bickley (Amastre, Gary Gray (clarinet), Margaret Batjer (violin), Jake Heggie (piano), David Tayler (lute), David Taylor (lute) Hanover Band and Chorus, Arcadian Academy, Los Angeles Chamber Orchestra, Academy of St. Martin in the Fields, Nicholas McGegan, Jeffrey Kahane, Sir Neville Marriner

Anthony Rolfe Johnson (Ulisse), Graciela Araya (Penelope), Toby Spence (Telemaco), Jaco Huijpen (Antinoo), Christopher Gillett (Pisandro), Diana Montague (Minerva), Brian Asawa (Anfinomo) Baroque Ensemble Orchestra, Glen Wilson, stage direction by Pierre Audi

Cynthia Haymon, Brigitte Balleys, Michael Chance, Claron McFadden, Heidi Grant Murphy & Ning Liang, Anthony Rolfe Johnson, Graciela Araya, Toby Spence Jaco Huijpen, Christopher Gillet & Brian Asawa, John Mark Ainsley, Juanita Lascarro David Cordier, Mario Luperi & Brigitte Balleys, Lorna Anderson, Maarten Koningsberger & Adrian Martin Les Talens Lyriques, Baroque Ensemble, Tragicomedia and Concerto Palatino, ASKO Ensemble, Christophe Rousset, Glen Wilson, Stephen Stubbs, David Porcelijn

Edith Mathis (soprano), Arleen Augér (soprano), Anthony Rolfe Johnson (tenor), Hanna Schwarz (mezzo-soprano), Rupert Huber (chorus master), Cornelia Wulkopf (mezzo-soprano), Chistine Schornsheim (harpsichord), Andreas Schmidt (baritone), Eva Lind (soprano), Hans Peter Blochwitz (tenor), Ann Murray (mezzo-soprano), Siegfried Lorenz (baritone), Barbara Hendricks (soprano), Douglas Johnson (tenor), Ernst Würdinger (harpsichord), Dominik Orieschnig (treble), David Busch (alto), Georg Nigl (treble), Ruth Welting (soprano), Ileana Cotrubas (soprano), Clifford Grant (bass), Christophe Rousset (director), Hélène Le Corre (soprano), Cecilia Bartoli (mezzo-soprano), Natalie Dessay (soprano), Brian Asawa (counter-tenor), Juan Diego Flórez (tenor), Giuseppe Sabbatini (tenor), Sandrine Piau (soprano), Agnes Baltsa (mezzo-soprano), Lilian Sukis (soprano), Peter Schreier (tenor), Edita Gruberova (soprano), Lucia Popp (soprano), Claes-Håkon Ahnsjö (tenor), Thomas Moser (tenor), Julia Varady (soprano), Werner Krenn (tenor), Helen Donath (soprano), Leopold Hager (harpsichord) Mozarteum-Orchester Salzburg, Salzburger Kammerchor, Kammerorchester Carl Philipp Emanuel Bach, Wiener Symphoniker, London Symphony Orchestra, Les Talens Lyriques, Salzburger Rundfunk- und Mozarteumchor, Salzbur, Uwe Christian Harrer, Sir Colin Davis

Natalie Dessay (soprano)