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Ingrid Fliter

Ingrid Fliter (Piano)

Born: 23rd September 1973, Buenos Aires, Argentina

Nationality: Argentinian

Artist's website: https://www.ingridfliter.com/

In January 2006, Argentinian pianist Ingrid Fliter was announced as the recipient of the 2006 Gilmore Artist Award. Only the fifth pianist to have been so honored, the Gilmore Artist Award is made to an exceptional pianist who, regardless of age or nationality, possesses broad and profound musicianship and charisma and who desires and can sustain a career as a major international concert artist.

Born in Buenos Aires in 1973, Ingrid Fliter began her piano studies in Argentina with Elizabeth Westerkamp. In 1992, at the suggestion of Martha Argerich, she moved to Europe where she continued her studies with Vitalj Margulis at the Musikhochschule fur Musik in Freiburg and subsequently with Carlo Bruno in Rome and at the Academy ‘Incontri col Maestro’ in Imola under the leadership of Franco Scala and Boris Petrushansky. She has also participated in masterclasses with Leon Fleischer, Alexander Lonquich and Louis Lortie and receives ongoing musical support and artistic advice from Zoltan Kocsis.

Ms Fliter began playing public recitals at the age of 11 and made her professional orchestra debut at the Teatro Colon in Buenos Aires at the age of 16. Already the winner of several Argentine competitions, she went on to win prizes at the Cantu International Competition and the Ferruccio Busoni Competition in Italy; in 2000 she was awarded the silver medal at the Frederic Chopin Competition in Warsaw.

Further Reading: Ingrid Fliter

Recording of the Week, Fliter and Ibragimova excel in Beethoven

Ingrid Fliter records the Piano Sonatas Nos. 8, 17 and 23 on Warner Classics, and Alina Ibragimova and Cédric Tiberghien continue their excellent series of the violin sonatas on Wigmore Hall Live.

Recording of the Week, Ingrid Fliter

The Gilmore Award-winning Argentine pianist makes her EMI debut with an all-Chopin recital which showcases her ‘contrasts of tonal colours, dynamic range and lyricism’.

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