Innovation in Music: Innovative Creative Practice
- Editor: Gullö, Jan-Olof
- Editor: Hepworth-Sawyer, Russ
- Editor: Marrington, Mark
- Editor: Paterson, Justin
- Editor: Toulson, Rob
Innovation in Music: Innovative Creative Practice
- Editor: Gullö, Jan-Olof
- Editor: Hepworth-Sawyer, Russ
- Editor: Marrington, Mark
- Editor: Paterson, Justin
- Editor: Toulson, Rob
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About
Innovation in Music: Innovative Creative Practice is a groundbreaking collection, bringing together contributions from instructors, researchers, and professionals, focusing on the joy of discovery in the context of music production, music technology, and music performance.
With chapters on augmented creativity, single tonality chord songwriting, musical instruments as live samplers and playing field recordings in music production, this book is recommended reading for students, researchers, and professionals looking for global insights into the fields of music production, business, and technology.
Contents
- Part 1 : Augmenting Creativity
- 1. A Self-Portrait: Towards a Practice of Plunderphonics in an Age of Musical Superabundance
- 2. Playing Field Recordings in Music Production
- 3. Redividing the Octave for Expanded Tonal Spaces: Preliminary Practical Explorations of Formalised Approaches to Microtonal Composition
- 4. Messing About as Creative Process: Anti-Solutionist Approaches in the Maker's Workshop, Home Studio and on Stage
- 5. Single Tonality Chord Songwriting
- 6. “We Only Have to Draw”: Unearthing Parallels Between Xenakis and Oram in the Design of KlangPad, a Learner-Focused Graphic-Composition Tool
- 7. Composing an Immaterial Body: Deconstructing and Reconnecting Vocal Expressions in SOPHIE’s “Immaterial”
- 8. From Discovery to Trend: Wrong or Unintended Use of Technology as a Basis for Musical Development
- 9. Augmented Creativity: Does AI Help or Hinder Musicians' Creative Processes?
- 10. The Sound(s) of Colour: Developing a Theory of Cross-Modal Interpretation
- 11. Time After Time: Temporal Multiplicity as Layers of Narrative Time in Transmedia Concept Albums
- Part 2 : Technology in Performance and Production
- 12. Haptics in Audio- and Music-Production Processes
- 13. Transvariations – Radical Interpretations of a Classical Piece by Means of Live Audio Processing
- 14. Love Your Latency: The Glitching Spatiotemporality of Telematic Music Performances
- 15. Thoughts on Building a Contemplative Modular System
- 16. Playing the Fader
- 17. SuperDuper Loopers and the 'Free for Feedback' Release Model
- 18. Dual-Function Instruments: Musical Instruments as Live Samplers
- 19. Creative Recording Experiments for Dolby Atmos
- 20. Rediscovering Analogue Practice in Synthesizer Ensembles
- 21. Rethinking Resonance: The Feedback Tuba
- 22. Don't Do This at Home: Re-amping the Norwegian Broadcasting Orchestra (KORK) for Nils Petter Molvær's Certainty of Tides
