New,Innovation in Music: Technology and Creativity
- Editor: Gullö, Jan-Olof
- Editor: Hepworth-Sawyer, Russ
- Editor: Paterson, Justin
- Editor: Toulson, Rob
Book
$78.00Contents
- Part 1 : Composition and Performance
- 1. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music
- 2. The ‘Performable Recordings’ Model and the Pursuit of Timing Consistency in Live Electronic Dance Music
- 3. The Space is the Place: Interplay and Interaction in an Extreme Location
- 4. Composing Without Keys: The LFO as a Composition Tool
- 5. Exploring a Network Setup for Music Experimentation
- 6. Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State
- 7. Hacking the Concert Experience - Exploring Co-Creative Audience Interaction at a Chiptune Live Performance
- 8. Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works
- 9. A Deepened ‘Sense of Place’: Ecologies of Sound and Vibration in Urban Settings and Domesticated Landscapes
- Part 2 : Technology and Innovation
- 10. “Yesterday’s Charm, Today’s Precision”: Martin B. Kantola and the Design of a New ‘Classic’ Microphone (Nordic Audio Labs NU-100K)
- 11. Audio Beyond Demand: Creative Reinventions of the Broadcast Listening Experience
- 12. Towards a Standard for Interactive Music
- 13. Transforming Performance with HASGS: Research-led Artistic Practice with an Augmented Instrument
- 14. Waveforms as Means of Time Tinkering
- 15. Levelling up Chiptune: Nostalgic Retro Games Console Sounds for the ROLI Seaboard
- 16. Forceful Action and Interaction in Non-Haptic Music Interfaces
- 17. Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI
- 18. From Intelligent Digital Assistant to Intelligent Digital Collaborator
- 19. Analyse! Development and Integration of Software-Based Tools for Musicology and Music Theory
- 20. A New Morphology: Strategies for Innovation in Live Electronics Performance
