The Routledge Companion to Jazz Studies

Contents

• PA RT I: Historical Perspectives
• 1. Wilkie's Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz (Tony Whyton) /
• 2. Diasporic Jazz (Bruce Johnson) /
• 3. I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories (Julianne Lindberg) /
• 4. "That Ain't No Creole, It's a . . .!": Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz (Bruce Boyd Raeburn) /
• 5. Jazz Education: Historical and Critical Perspectives (Ken Prouty) /
• 6. Swan Songs: Jazz, Death, and Famous Last Concerts (Walter van de Leur)
• 7. Jazz on Radio (Tim Wall)
• PART II : Methodologies
• 8. After Wynton: Narrating Jazz in the Postneotraditional Era (David Ake) /
• 9. Jazz and the Material Turn (Floris Schuiling) /
• 10. Jazz Meets Pop in the United Kingdom (Catherine Tackley) /
• 11. On Billboard, Isaac Hayes, and the "Swinging Relationship" Between Jazz and Its Popular Music Cousins, 1950-1973 (John Howland) /
• 12. "Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans": Rethinking Jazz and Jazz Studies Through Jason Moran's Multimedia Performance (John Gennari) /
• 13. Conceptualizing Jazz as a Cultural Practice in Soviet Estonia (Heli Reimann) /
• 14. And Then I Don't Feel So Bad: Jazz, Sentimentality, and Popular Song (Alan Stanbridge)
• PART III : Core Issues and Topics
• 15. Space and Place in Jazz (Andrew Berish) /
• 16. Time in Jazz (Mark Doffman) /
• 17. Jazz and Disability (George McKay) /
• 18. Race in the New Jazz Studies (Patrick Burke) /
• 19. The Vocalized Tone (Tom Perchard) /
• 20. Jazz and the Recording Process (Benjamin Bierman) /
• 21. Figuring Improvisation (Peter Elsdon) /
• 22. Listening for Empire in Transnational Jazz Studies (Frederick J. Schenker)
• PART IV : Individuals, Collectives, and Communities
• 23. New Orleans, the "Creole Concept," and Jazz (Wolfram Knauer) /
• 24. Sitting In and Subbing Out: The Gig Economy of 1960s New York (Marian Jago) /
• 25. George Lewis's Voyager (Paul Steinbeck) /
• 26. Quiet About It-Jazz in Japan (Michael Pronko) /
• 27. Performing Improvisation: Bill Evans and Jean-Yves Thibaudet (Deborah Mawer) /
• 28. Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness (Eduardo Vicente) /
• 29. Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution (Scott Currie)
• PART V : Politics, Discourse, and Ideology
• 30. The Birth of Jazz Diplomacy: American Jazz in Italy, 1945-1963 (Anna Harwell Celenza) /
• 31. Jazzing for a Better Future: South Africa and Beyond (Christopher Ballantine) /
• 32. Eric Hobsbawm (Roger Fagge) /
• 33. Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s (David Brackett) /
• 34. The Rhetoric of Jazz (Gregory Clark) /
• 35. Unfinalizable: Dialog and Self-Expression in Jazz (Charles Hersch) /
• 36. Improvisation: What Is It Good for? (Raymond MacDonald and Graeme Wilson) /
• 37. Friends and Neighbors: Jazz and Everyday Aesthetics (Nicholas Gebhardt)
• PART VI : New Directions and Debates
• 38. "The Reason I Play the Way I Do Is": Jazzmen, Emotion, and Creating in Jazz (Nichole Rustin-Paschal) /
• 39. The Art of Improvisation in the Age of Computational Participation (David Borgo) /
• 40. Renaissance or Afterlife? Nostalgia in the New Jazz Films (Bjoern Heile) /
• 41. Comics as Criticism: Harvey Pekar, Jazz Writer (Nicolas Pillai) /
• 42. Free Spirits: The Performativity of Free Improvisation (Petter Frost Fadnes) /
• 43. My Jazz World: The Rise and Fall of a Digital Utopia (Simon Barber) /
• 44. Writing the Jazz Life (Krin Gabbard)