French and English Polyphony of the 13th and 14th Centuries: Style and Notation

Contents

• 1. Tonal aspects of 13 th -Century English Polyphony. Acta Musicologica
• 37. Basel, 1965.
• 2. Cantilena and Discant in 14 th -Century English Polyphony. Musica Disciplina
• 19. Rome, 1965.
• 3. The Question of Perotin's Oeuvre and Dates. Festschrift Walter Wiora. Kassel, 1967.
• 4. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade. Bern, 1973.
• 5. The Medieval Hocket in Practice and Theory. The Musical Quarterly
• 60. New York, 1974.
• 6. The Early Motets of Philippe de Vitry. Journal of the American Musicological Society 28, no.
• 1. Richmond, 1975.
• 7. English Polyphony in the Morgan Library Manuscript. Music & Letters
• 61. Oxford, 1980.
• 8. Consonance and Rhythm in the Organum of the 12 th and 13 th Centuries. Journal of the American Musicological Society 33, no.
• 2. Richmond, 1980.
• 9. Sine Littera and Cum Littera in Medieval Polyphony. Music and Civilization: Essays in Honor of Paul Henry Lang, ed. Edmond Strainchamps, Maria R. Maniates, and Christopher Hatch. New York, 1984.
• 10. Style and Technique in Datable Polyphonic Notre-Dame Conductus. Gordon Athol Anderson (1929-1981): In Memoriam (Musicological Studies 59). Henryville, PA, 1984.
• 11. Conductus and Modal Rhythm. Journal of the American Musicological Society 38, no.
• 3. Richmond, 1985.
• 12. The Earliest Phases of Measured Polyphony. Music Theory and the Exploration of the Past, ed. Christopher Hatch and David W. Bernstein. Chicago, 1993.
• 13. Rithmus. Essays on Medieval Music in Honor of David G. Hughes, ed. Graeme M. Boone. Cambridge, Mass, 1995.