Ethnomusicology: A Contemporary Reader, Volume II

Contents

• PART I: Intellectual Property and Cultural Rights
• 1. Performing Protocol: Indigenous Traditional Knowledge as/and Intellectual Property ( Beverley Diamond, with Aaron Corn, Frode Fjellheim, Cheryl L'Hirondelle, Moana Manipota, Allan Marett, Taqralik Partridge, John Carlos Perea, Ulla Pirttijarvi, and Pe
• 2. "Justice with My Own Hands" : The Serious Play of Piracy in Bolivian Indigenous Music Videos ( Henry Stobart )
• 3. Modernist Reform, Virtuosity, and Uyghur Instrumental Music in Chinese Central Asia ( Chuen-Fung Wong )
• PART II: Applied Practice
• 4. From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World ( Samuel Araujo )
• 5. The Ethnomusicologist at the Rock Face: Reflections on Working at the Nexus of Music and Mining ( Kirsty Gillespie )
• 6. Social Shifts and Viable Musical Futures: The Case of Cambodian Smot (Catherine Grant )
• 7. Medical Ethnomusicology and Psychological Flexibility in Wellness, Health, and Wellness ( Benjamin D. Koen )
• PART III: Knowledge and Agency
• 8. Bird Song and Song about a Bird: Popular Music and the Mediation of Traditional Ecological Knowledge in Northeastern Brazil ( Michael B. Silvers )
• 9. Music, Environment and Place in Kam Big Song ( Catherine Ingram )
• 10. Ecological Knowledge, Collaborative Management, and Musical Production in Western Mongolia ( Jennifer C. Post )
• 11. Music and Non-Human Agency ( Bernd Brabec de Mori )
• PART IV: Community and Social Space
• 12. Rethinking the Urban Community: (Re) Mapping Musical Processes and Places ( Kay Kaufman Shelemay )
• 13. Mixed Modes and Performance Codes of Political Demonstrations and Carnival in Haiti ( Rebecca Dirksen )
• 14. Soundscapes of Pilgrimage: European and American Christians in Jerusalem's Old City ( Abigail Wood )
• PART V: Embodiment and Cognition
• 15. Time, Gesture, and Attention in a Khyal Performance ( Martin Clayton )
• 16. Speaking with the Body in Nigerian and Cuban Orisha Music: Musical Movements in Song, Dance, and Trance ( Amanda Villepastour )
• 17. Gaming the System: Gender and Performance in Dance Central ( Kiri Miller )
• PART VI: Curating Sound
• 18. Preserving the Past, Activating the Future: Collaborative Archiving in Ethnomusicology ( John Vallier )
• 19. "Curating Sound Is Impossible": Views from the Streets, Galleries, and Rainforests ( Noel Lobley )