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Special offer. Handel: Messiah

Susan Gritton (soprano), Sara Mingardo (contralto), Mark Padmore (tenor), Alastair Miles (bass)

Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis

Sir Colin Davis's way with Messiah, as recorded live at the Barbican last December, is old-fashioned by present-day standards. His soloists are all good. The Tenebrae Choir, with its thirty-odd...

Special offer. Handel: Messiah

Susan Gritton (soprano), Sara Mingardo (contralto), Mark Padmore (tenor), Alastair Miles (bass)

Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis

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2 SACDs

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This release includes a digital booklet

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Sir Colin Davis's way with Messiah, as recorded live at the Barbican last December, is old-fashioned by present-day standards. His soloists are all good. The Tenebrae Choir, with its thirty-odd...

About

Contents and tracklist

No. 1, Sinfonia
Track length3:45
No. 2, Comfort Ye My People
Track length3:00
No. 3, Ev'ry Valley Shall Be Exalted
Track length3:34
No. 4, And the Glory of the Lord
Track length2:46
No. 5, Thus Saith the Lord
Track length1:30
No. 6, But Who May Abide the Day of His Coming?
Track length4:16
No. 7, And He Shall Purify
Track length2:21
No. 8, Behold, a Virgin Shall Conceive
Track length0:23
No. 9, O Thou That Tellest Good Tidings to Zion
Track length3:56
No. 9a, O Thou That Tellest Good Tidings to Zion (Chorus)
Track length1:43
No. 10, For, Behold, Darkness Shall Cover the Earth
Track length2:26
No. 11, The People That Walked In Darkness
Track length3:11
No. 12, For Unto Us a Child Is Born
Track length4:06
No. 13, Pifa
Track length3:08
Nos. 14a-16, There Were Shepherds Abiding In the Field
Track length1:54
No. 17, Glory to God
Track length1:39
No. 18, Rejoice Greatly, O Daughter of Zion
Track length4:39
No. 19, Then Shall the Eyes of the Blind
Track length0:27
No. 20, He Shall Feed His Flock Like a Shepherd
Track length4:58
No. 21, His Yoke Is Easy
Track length2:16
No. 22, Behold the Lamb of God
Track length3:28
No. 23, He Was Despised
Track length9:56
No. 24, Surely He Hath Borne Our Griefs
Track length2:20
No. 25, And With His Stripes We Are Healed
Track length2:32
No. 26, All We Like Sheep Have Gone Astray
Track length4:06
No. 27, All They That See Him Laugh Him to Scorn
Track length0:49
No. 28, He Trusted In God
Track length2:28
No. 29, Thy Rebuke Hath Broken His Heart
Track length2:27
No. 30, Behold, and See If There Be Any Sorrow
Track length1:27
No. 31, He Was Cut Off Out of the Land of the Living
Track length0:22
No. 32, But Thou Didst Not Leave His Soul In Hell
Track length2:29
No. 33, Lift Up Your Heads, O Ye Gates
Track length3:12
No. 34, Unto Which of the Angels Said He At Any Time
Track length0:15
No. 35, Let All the Angels of God Worship Him
Track length1:27
No. 36, Thou Art Gone Up On High
Track length3:22
No. 37, The Lord Gave the Word
Track length1:11
No. 38, How Beautiful Are the Feet
Track length2:26
No. 39, Their Sound Is Gone Out
Track length1:36
No. 40, Why Do the Nations So Furiously Rage Together?
Track length2:41
No. 41, Let Us Break Their Bonds Asunder
Track length1:43
No. 42, He That Dwelleth In Heaven
Track length0:16
No. 43, Thou Shalt Break Them
Track length2:06
No. 44, Hallelujah
Track length3:43
No. 45, I Know That My Redeemer Liveth
Track length6:01
No. 46, Since By Man Came Death
Track length2:19
No. 47, Behold, I Tell You a Mystery
Track length0:36
No. 48, The Trumpet Shall Sound
Track length8:38
No. 49, Then Shall Be Brought to Pass
Track length0:19
No. 50, O Death, Where Is Thy Sting?
Track length1:10
No. 51, But Thanks Be to God
Track length2:04
No. 52, If God Be for Us
Track length4:50
No. 53a, Worthy Is the Lamb That Was Slain
Track length3:28
No. 53b, Amen
Track length4:08

Spotlight on this release

Awards and reviews

December 2007

Sir Colin Davis's way with Messiah, as recorded live at the Barbican last December, is old-fashioned by present-day standards. His soloists are all good. The Tenebrae Choir, with its thirty-odd voices, proves near ideal for a performance on this sort of scale, and their sheer neatness is a delight. One or two tempos may be on the slow side, but generally Davis motivates Handel's music with dynamism.

2010

[the soloists] make an excellent team, with clean, clear voices, well focused. Mark Padmore is outstanding as the tenor soloist, and Sara Mingaro is a fine, firm mezzo, not at all fruity, singing He was despised movingly at a steady tempo. She contrasts well with the soprano, Susan Gritton, in He shall feed his flock
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