Fauré - Au bord de l'eau, Op. 8 No. 1 (Prudhomme)
Genre:
Vocal
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He is a stylish, cultured performer and is as fine an advocate for Fauré’s mélodies as any of the best. Recommended for those who love indulging in French song at its finest. — More…
Awards:
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Gramophone Magazine, August 2022, Recording of the Month
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International Classical Music Awards, 2023, Nominated - Vocal Music
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Gramophone Awards, 2023 Winners, Winner - Song
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Devieilhe has the ideal voice for the Ariettes oubliées, with a creamily dreamy opening to ‘C’est l’extase’. Her iridescent clarity is to the fore throughout...matched by Alexandre Tharaud’s... — More…
Awards:
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BBC Music Magazine, November 2020, Choral & Song Choice
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Gramophone Magazine, Awards Issue 2020, Editor's Choice
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Presto Recordings of the Year, Finalist 2020
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BBC Music Magazine Awards, 2021, Shortlisted - Vocal
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Gramophone Awards, 2021, Shortlisted - Song
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Opus Klassik, 2021, Winner - Solo Vocal Recital (Song)
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This eclectic, if not eccentric song recital by the musically promiscuous French countertenor Philippe Jaroussky should not work. That it does, and so convincingly, is down to the fastidious... — More…
Awards:
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Presto Recording of the Week, 8th October 2021
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Presto Recordings of the Year, Finalist 2021
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Awards:
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Grammy Awards, 3rd Awards (1960), Best Classical Solo Vocal Album
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Awards:
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Gramophone Awards, 1991, Winner - Historic Vocal
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Awards:
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International Classical Music Awards, 2022, Nominated - Assorted Programs
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Awards:
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Gramophone Magazine, December 2004, Editor's Choice
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L'amour, la mort, la mer
Patricia Petibon (soprano), Philippe Marchand (percussion), Susan Manoff (piano), David Venitucci (accordion), Ronan Le Bars (bagpipe), Olivier Py (vocal)
Le chant des lendemains
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Audio formats guide -
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Fauré - The Complete Songs - 1
Felicity Lott, Jennifer Smith, Geraldine McGreevy (sopranos), Stella Doufexis (mezzo), John Mark Ainsley (tenor), Christopher Maltman, Stephen Varcoe (baritones), Graham Johnson (piano)
Few singers would give over a whole evening to Fauré's songs on the concert platform, and choosing a way of presenting them on disc obviously poses problems. Previous sets had all the songs... — More…
Awards:
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Gramophone Magazine, March 2005, Editor's Choice
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Audio formats guide -
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On the plus side, every word Mauillon sings is audible and he has an enchanting mezza voce, which he sensibly doesn’t use too often. But although described here as a baritone, he lacks the richness... — More…