Vivaldi - Concerto in G minor RV157
Genres:
Concertos » Strings Concertos
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The performances… are typically neatly-pointed and vivacious. — More…
Awards:
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Gramophone Magazine, Awards Issue 2009, Editor's Choice
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Gramophone Awards, 2010, Winner - Baroque Instrumental
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Vivaldi: Sacro Furore - Stabat Mater, Nisi Dominus, Concerti
Carlo Vistoli (counter-tenor), Akademie Für Alte Musik Berlin, Georg Kallweit
— More…
Awards:
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Gramophone Magazine, January 2025, Recording of the Month
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Händel Goes Wild
(jewel-case)
Valer Sabadus (countertenor), Nuria Rial (soprano)
L’Arpeggiata, Christina Pluhar
Whether or not you like this kind of project, this one is expertly and beautifully done, with Handel’s lyrical greatness remaining plain for all to see. — More…
Awards:
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Opus Klassik Awards, 2018, Winner - Ensemble (instrumental)
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What's Next Vivaldi?
RecommendedPatricia Kopatchinskaja (violin), Il Giardino Armonico, Giovanni Antonini
No one cooks up a Vivaldian storm like Patricia Kopatchinskaja. The opening movement of La tempesta di mare is a churning cauldron of tempestuous fury that would surely have terrified Poseidon... — More…
Awards:
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Presto Editor's Choice, September 2020
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Presto Recordings of the Year, Finalist 2020
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Opus Klassik, 2021, Winner - Concerto
Purchase product
Downloads
Audio formats guide -
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Purchase product
Downloads
Audio formats guide -
Awards:
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International Classical Music Awards, 2024, Nominated - Baroque Vocal
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Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Instrumental
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Händel Goes Wild
(casebound deluxe)
Valer Sabadus (countertenor), Nuria Rial (soprano)
L’Arpeggiata, Christina Pluhar
The Baroque instrumentalists display lyricism, drive, and percussive energy, and the jazz instrumentalists improvise on the germs of Handel’s imagination with infectious enthusiasm…There are... — More…
Awards:
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Opus Klassik Awards, 2018, Winner - Ensemble (instrumental)
Purchase product
Downloads
Audio formats guide -
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The performance by the Modo Antiquo is finely precise and brings out the lines clearly. The tempos are all appropriate to the works, and Sardelli clearly has his group attuned to Vivaldi’s style.... — More…