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Browse: Handel - Bel piacere (from Agrippina)

Composer: George Frideric Handel (1685–1759)
Showing 1 - 6 of 6 results
Showing 1 - 6 of 6 results
  • Jonathan Freeman-Attwood (trumpet), Anna Szałucka (piano)

    Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft... More…

    Awards:

    CD

    Original price ($16.25) Reduced price $14.75

    This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

    This release includes a digital booklet

  • CD

    Original price ($23.00) Reduced price $20.75

    In stock

    Usually despatched within 1 working day

  • Sophie Bevan (soprano), Mary Bevan (soprano), Bridget Cunningham (harpsichord), Benjamin Bevan (baritone)

    London Early Opera, Bridget Cunningham (director)

    [Sophie Bevan] sings with a full feminine tone, enchanting in the slow movements, while her sister Mary sings arias from Handel's 1709 Venetian opera, Agrippina…the surprise is Benjamin Bevan,... More…

    CD

    Original price ($15.75) Reduced price $12.50

    Usually despatched in 4 - 5 working days

    This release includes a digital booklet

  • Haendel Arias

    Héloïse Mas (mezzo-soprano), London Handel Orchestra, Laurence Cummings

    Mas is a daring singer: guided by the cool expertise of Laurence Cummings and the London Handel Orchestra, her execution is often riveting. Her buttery lower register and glorious top notes make... More…

    CD

    Original price ($16.25) Reduced price $13.00

    Usually despatched in 3 - 4 working days

    This release includes a digital booklet

  • Renée Fleming (soprano)

    Orchestra Of The Age Of Enlightenment, Harry Bicket

    No digital booklet included

  • Felicity Palmer (soprano), Helen Watts (alto), Ryland Davies (tenor) & John Shirley-Quirk (bass), Janet Baker (Delilah), Helen Watts (Micah), Robert Tear (Samson), John Shirley-Quirk (Manoah) & Benjamin Luxon (Harapha), Marilyn Horne (mezzo), Jennifer Larmore (mezzo)

    English Chamber...

    [on The Messiah] Tempos are lively, though never breathless, and always well judged, and ornamentation is judicious. Choruses are resilient and have an agreeable sense of joy, especially ''For... More…

    No digital booklet included