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Handel for Trumpet

Jonathan Freeman-Attwood (trumpet), Anna Szałucka (piano)

Handel for Trumpet

Awards:

Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft...

Handel for Trumpet

Jonathan Freeman-Attwood (trumpet), Anna Szałucka (piano)

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Awards:

Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft...

About

This is Jonathan Freeman-Attwood’s tenth solo project for Linn, ‘re-imagining’ repertoire for trumpet and piano as it might have been had history been different. Handel for Trumpet follows similar lines to the previous recordings, going against the grain by presenting a variety of musical genres from major figures before the existence of a modern chromatic trumpet and a grand piano. The programme here is divided, relatively straightforwardly, between concertos and arias and duets (from nine different operas and oratorios), with the brief excursion of an abridged keyboard work from one of the eight ‘Great Suites’. Once again, Jonathan teams up with arranger Timothy Jones to offer versions that bring a new lease to these works. A welcome addition to the trumpet repertoire!

Contents and tracklist

I. Andante
Track length1:05
II. Allegro
Track length2:15
III. Andante
Track length2:08
IV. Allegro
Track length1:34
I. Larghetto
Track length2:02
II. Allegro
Track length2:57
III. Larghetto
Track length3:03
IV. Allegro
Track length2:46
I. Larghetto affettuoso
Track length2:23
II. Allegro
Track length2:28
III. Largo e piano
Track length1:46
IV. Allegro
Track length2:29
I. Ouverture
Track length1:04
II. Allegro ma non troppo
Track length2:05
III. Allegro
Track length2:13
IV. Alla breve moderato
Track length2:09
V. Minuet
Track length2:14

Awards and reviews

  • Gramophone Magazine
    February 2024
    Editor's Choice

February 2024

Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft and poised playing.

February 2024

The finished results feel like some of the most intrepidly complete transformations this pair have yet come up with...In a nutshell, brave, bonkers and brilliantly executed.
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