Handel - Brilla nell' alma un non inteso ancor (from Alessandro)
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Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft... — More…
Awards:
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Gramophone Magazine, February 2024, Editor's Choice
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Coming soon. Joyce DiDonato: Drama Queens
Royal Arias from the 17th and 18th Centuries
Joyce DiDonato (mezzo-soprano)
Il Complesso Barocco, Alan Curtis
DiDonato and Alan Curtis...have unearthed some Baroque rarities. Instead of Handel's Berenice, we have Orlandini's Berenice, whose 'Da torbida procella' is an ideal fit for DiDonato's spitfire... — More…
Awards:
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Opera, January 2013, Recording of the Month
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Sandrine Piau and Christophe Rousset have been consistently stylish and perceptive Handelians together. Their musical flair and dramatic intelligence is marvellously captured here, and they... — More…
Awards:
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Gramophone Magazine, January 2005, Editor's Choice
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Tempesta: Opera arias by Handel & Vivaldi
Blandine Staskiewicz (mezzo-soprano)
Les Ambassadeurs, Alexis Kossenko
I do not always sense tangible engagement with dramatic characterisations, but the nuanced vibrancy from Staskiewicz and Les Ambassadeurs in the tempestuous 'Siam navi all'onde algenti' from... — More…
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the French soprano is at the heart of a everything that is stylish and commanding here. Her accomplished technique, and the clarity of her vocal production, is audible from the off...Thus she... — More…
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