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Schumann - Romances (3), Op. 28
Genres:
Instrumental » Piano Solos
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[Carnaval] draws from Le Sage a performance which triumphs unobtrusively over extreme familiarity to create an aura of spontaneity and freshness which beguiles the ear and the imagination alike.... — More…
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Awards:
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Building a Library, September 2001, Runner-Up
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this anthology celebrates Kempff's special feeling for Schumann. He is in his element in pieces like Arabesque, the relatively little-known first and third Romances, and the Novelettes, where... — More…
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Robert schumann: etica, estetica. Il sentimento [ethics, aesthetics. The feeling]
Maria Gabriella Mariani (soloist)
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Collard may lack Pollini's blazing intellectual rigour in Op. 11 and Richter's inimitable phrased sensitivity in Papillons, yet she demonstrates a special empathy for Schumann's dream-like wonder. — More…
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Schumann: Faschingsschwank aus Wien, Op. 26; 3 Romanzen, Op. 28; Piano Concerto in A Minor
Claudio Arrau (piano)
Boston Symphony Orchestra, Sir Colin Davis
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Less contained than Pollini and more attuned to Horowitz's flamboyance, his performance captures all of Schumann's teeming imagination...Above all, Maltempo's well-recorded performances have... — More…
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