Browse: Search results for: ' regent '
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Beatam
Music written for the Choir of York Minster
Benjamin Morris (organ)
The Choir of York Minster, Robert Sharpe
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GALM 120: Grandstand - Prod mus 40s
New Concert Orchestra, Louis Voss Orchestra
Queen's Hall Light Orchestra, Regent Classic Orchestra, West End Celebrity Orchestra, New Century Orchestra, Louis Voss Grand Orchestra, London Promenade Orchestra, Louis Voss, His Orchestra, Harmonic Orchestra, Robert Farnon, Sidney Torch, Walter...
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Incarnation: Christmas Music by Thomas Hewitt Jones
Mary Bevan (soprano), Samuel Evans (baritone)
Sloane Square Chamber Choir & Chamber Orchestra of London, Oliver Lallemant
The movement that I enjoyed most was the central, ‘Nativity’, which is also the longest. Here, Hewitt Jones’s music is particularly attractive and lyrical. Elsewhere, it’s always accessible and... — More…
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Penitence and Redemption Pergolesi Stabat Mater and other works for Lent and Passiontide
Oliver Hancock (organ)
Ely Cathedral Girls’ Choir & Members of the Cambridge University Baroque Ensemble, Sarah MacDonald (director)
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The Eternal Ecstasy
Music of Visionary Transcendence
The Chapel Choir of Selwyn College, Cambridge, Sarah MacDonald
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The Garment of Holiness
Choral and organ music by Iain Quinn
The Chapel Choir of Selwyn College, Cambridge, Sarah MacDonald
Quinn’s style is rich and densely textured and the featured works are of consistently high quality, very well performed on this atmospheric recording – the Mass is particularly impressive. Two... — More…
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The mystery of things
Choral and organ works by Paul Fisher
Proteus Ensemble
Richard Cook (organ), Stephen Shellard
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Requiem - Musiques pour les Funerailles Royales Espagnoles La Maitrise de Toulouse - Conservatoire de Toulouse
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An Ely Christmas
Aaron Shilson (organ)
The Girl Choristers & Lay Clerks of Ely Cathedral, Sarah MacDonald
Bright, firm, well-supported but honest singing that is frequently joyous and only occasionally a little strained. — More…
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Thrillingly performed, imaginatively registered and thoughtfully programmed, this recording of the lesser-known corners of Sir Charles Hubert Parry's output is well worth investigating...[Goode]... — More…
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The enormous choir – some 45 members, male and female – may be contrary to current performance practices, but it is well under control and used to great effect...The resonant acoustic does not... — More…
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If the opening Stanford is a little underwhelming, the substantial Amy Beach work that gives this disc its title is given a splendidly powerful performance, and the Charles Wood Singers also... — More…
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A showcase of Ben Ponniah’s sacred music, including three sets of anthems and the Requiem in Blue. He’s a name to watch. Sarah MacDonald draws radiant sound from her choir. — More…
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