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Lise Davidsen: Live at the Met

Lise Davidsen (soprano), James Baillieu (piano)

Awards:

She scales back her voice in all the right places...And when she doesn't scale back? The full-voiced climax to 'Zueignung' gives a ringing emphasis to the song's profound gratitude.

Lise Davidsen: Live at the Met

Lise Davidsen (soprano), James Baillieu (piano)

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This release includes a digital booklet

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Awards:

She scales back her voice in all the right places...And when she doesn't scale back? The full-voiced climax to 'Zueignung' gives a ringing emphasis to the song's profound gratitude.

About

On September 14th, 2023, Lise Davidsen became one of the youngest-ever singers invited to give a solo recital at the MET, a house with which she has a very special relationship.

With pianist James Baillieu, Lise performed a programme including highlights from her Met roles, as well as a variety of song literature, plus some lighter pieces from the world of operetta and musical theater.

Peter Gelb (General Manager of the Metropolitan Opera] believes Lise Davidsen is “the greatest Wagnerian talent since Birgit Nilsson and Kirsten Flagstad. Her voice in the Met’s luxurious acoustics sounds extraordinary, with incredible beauty but amazing power.” It deeply impressed Gelb that Davidsen was “capable of wrapping her voice around the nuanced subtlety of Grieg, Sibelius, Schubert and Strauss,” but also that she could “explode with power in ‘Dich, teure Halle.’” He also greatly admired Davidsen’s “extremely elegant and composed stage presence.” Although still in her thirties, “she’s the consummate artist.”

The album is released to coincide with her MET debut as Isolde, one of the most eagerly anticipated operatic debuts of the decade.

Contents and tracklist

Vissi d'arte (Piano Reduction)
Track length3:41
Morrò, ma prima in grazia
Track length4:31
No. 1, Den första kyssen
Track length1:31
No. 4, Var det en dröm
Track length1:43
No. 5, Flickan kom ifrån sin älsklings möte
Track length2:22
No. 1, Svarta rosor
Track length1:53
Heia, heia, in den Bergen ist mein Heimatland (Piano Reduction)
Track length2:59
I Could Have Danced All Night (Piano Reduction)
Track length2:14
Dich, teure Halle, grüss ich wieder "Elisabeth's Greeting" (Piano Reduction)
Track length3:22
No. 2, Våren
Track length4:43

Awards and reviews

  • Gramophone Magazine
    June 2026
    Editor's Choice

June 2026

She scales back her voice in all the right places...And when she doesn't scale back? The full-voiced climax to 'Zueignung' gives a ringing emphasis to the song's profound gratitude.

5th March 2026

Davidsen’s soprano sounds fresh, gleaming and direct, her top-most notes silvery. She knows how to ensure nothing gets overblown – and how to get so close to the edge that the effect is thrilling, especially in her four Strauss songs. In Schubert, she fills out long lines into phrases full of sincere expression; four Sibelius songs unleash a passionate way with the text.

you have to bow down before the splendour and absurdity of it all. And nothing can dent the eloquence of Davidsen’s four Sibelius songs (mostly darkly dramatic) or the tender thrill of her Vissi d’arte from Tosca, or — well, there is so much to choose from. Just come prepared for decibels and extreme heat.

The New York Times 12th March 2026

Even on home speakers, her force-of-nature voice penetrates the air. Schubert’s “Gretchen am Spinnrade” becomes a gripping dramatic scena, and Davidsen’s thick, unbridled sound in Sibelius’s “Den Första Kyssen” is a thrill.
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