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Prokofiev: War and Peace
Olga Kulchynska (Natasha), Andrei Zhilikhovsky (Andrei), Arsen Soghomonyan (Pierre), Violeta Urmana (Marya Dmitriyevna Akhrosimova), Olga Guryakova (Peronskaya), Bekhzod Davronov (Anatole), Christina Bock (Marya Bolkonskaya)
Bayerische Staatsoper, Vladimir Jurowski, Dmitri Tcherniakov
Awards:
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International Classical Music Awards, 2026, Winner - Video (Opera)
The video is definitely worth seeing. If you have a good knowledge of the opera already from a more standard version, you’ll appreciate the in-jokes, such as the decision to take Prokofiev’s...
Prokofiev: War and Peace
Olga Kulchynska (Natasha), Andrei Zhilikhovsky (Andrei), Arsen Soghomonyan (Pierre), Violeta Urmana (Marya Dmitriyevna Akhrosimova), Olga Guryakova (Peronskaya), Bekhzod Davronov (Anatole), Christina Bock (Marya Bolkonskaya)
Bayerische Staatsoper, Vladimir Jurowski, Dmitri Tcherniakov
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Awards:
-
International Classical Music Awards, 2026, Winner - Video (Opera)
The video is definitely worth seeing. If you have a good knowledge of the opera already from a more standard version, you’ll appreciate the in-jokes, such as the decision to take Prokofiev’s...
About
A colossal work that defies all boundaries: Prokofiev’s monumental setting of Tolstoy’s epic novel War and Peace. The story, set during Napoleon’s Russian campaign between 1809 and 1812, is condensed by the composer into a powerful sequence of scenes in which the love story between Natasha Rostova and Andrei Bolkonsky alternates in striking contrast with the depiction of the Russian army’s battle against the French invasion—interwoven yet deeply connected. The music narrates how the aristocracy’s rigid social hierarchy stands in the way of two young people’s happiness, how seduction succeeds while an abduction fails, how some renounce their love while others fall as heroes—all while people, amidst the grandeur, search for true connection. With a wealth of magnificent themes and poignant moments, Prokofiev’s operatic masterpiece merges social drama and historical chronicle into a sweeping panorama. Dmitri Tcherniakov’s staging presents a gathering of people in a historically charged setting: the famous Pillar Hall of the House of the Unions in Moscow. Forced into an indefinite coexistence, they instinctively begin to embody characters, reenact conversations, scenes, and celebrations, as if drawing from a vast collective memory. What starts as an impromptu role-play soon turns into an emotional experience where the lines between assumed and genuine feelings blur. An outstanding ensemble performs under the musical direction of General Music Director Vladimir Jurowski.
Contents and tracklist
- Bayerische Staatsoper (opera company), Olga Kulchynska (soprano), Andrei Zhilikhovsky (baritone), Arsen Soghomonyan (tenor), Violeta Urmana (soprano), Olga Guryakova (soprano), Mischa Schelomianski (bass), Bekhzod Davronov (tenor), Christina Bock, (mezzo-soprano), Oksana Volkova (mezzo-soprano), Dmitry Ulyanov (bass), Tómas Tómasson (baritone)
- Vladimir Jurowski
Awards and reviews
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International Classical Music Awards2026Winner - Video (Opera)
July 2025
The video is definitely worth seeing. If you have a good knowledge of the opera already from a more standard version, you’ll appreciate the in-jokes, such as the decision to take Prokofiev’s portrait ‘back to France’. If you are invested, as I am, in the troubled history of Russia past and present, you will even find some scenes very moving.