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Mozart: Piano Concertos Nos. 18 & 21

Jonathan Fournel (piano), Mozarteum Orchestra Salzburg, Howard Griffiths

Mozart: Piano Concertos Nos. 18 & 21
this pairing of two of Mozart’s most winning piano concertos has real pedigree. The orchestral strings are warm, yet fastidiously vibrato free, against which Fournel’s keyboard is precise and...

Mozart: Piano Concertos Nos. 18 & 21

Jonathan Fournel (piano), Mozarteum Orchestra Salzburg, Howard Griffiths

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this pairing of two of Mozart’s most winning piano concertos has real pedigree. The orchestral strings are warm, yet fastidiously vibrato free, against which Fournel’s keyboard is precise and...

About

"Bravo Mozart!" exclaimed Emperor Joseph II as he stood up and tipped his hat at the end of the first performance ofPiano Concerto No. 18 KV 456, played by Mozart himself on 30 September 1784. Less than a year later, the composer pens his iconic 21st concerto, which is performed here by the Mozarteumorchester Salzburg conducted by Howard Griffiths, and pianist Jonathan Fournel. Winner of the prestigious Queen Elisabeth Competition in 2021, the French pianist has already made a Brahms recording for Alpha (ALPHA851). At the age of 30, he is developing a highly promising career, impressing audiences at every one of his concerts.

Contents and tracklist

I. Allegro vivace (Cadenzas by W. A. Mozart)
Track length12:10
II. Andante un poco sostenuto (Cadenzas by W. A. Mozart)
Track length9:58
III. Allegro vivace (Cadenzas by W. A. Mozart)
Track length7:00
I. Allegro maestoso (Cadenzas by Dinu Lipatti)
Track length14:51
II. Andante (Cadenzas by Dinu Lipatti)
Track length6:27
III. Allegro vivace assai (Cadenzas by Dinu Lipatti)
Track length6:51

Awards and reviews

May 2024

this pairing of two of Mozart’s most winning piano concertos has real pedigree. The orchestral strings are warm, yet fastidiously vibrato free, against which Fournel’s keyboard is precise and muscular. Speeds are driven in a vibrant and cheerful recording.

April 2024

This is another strong instalment in a consistently intriguing series, and a K467, especially, that is well worth hearing.
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