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Mozart: Exsultate, Jubilate!

Les Paladins (soprano), Jérôme Corréas, Karine Deshayes

Mozart: Exsultate, Jubilate!
There is life injected into every corner of t h i s record i ng of largely early Mozart, from the incisive playing of period instrument ensemble Les Paladins, under conductor Jérôme Correas,...

Mozart: Exsultate, Jubilate!

Les Paladins (soprano), Jérôme Corréas, Karine Deshayes

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There is life injected into every corner of t h i s record i ng of largely early Mozart, from the incisive playing of period instrument ensemble Les Paladins, under conductor Jérôme Correas,...

About

Karine Deshayes, one of today's most remarkable interpreters of Mozart together with the vocal and instrumental ensemble Les Paladins, gives an outstanding performance in this program of his sacred and secular works, in which the motet Exsultate, jubilate! Forms the centrepiece. Her rich, full-bodied voice taps directly into the roots of this highly virtuosic piece, originally written for a powerful, resonant soprano castrato tessitura. Conducted by Jerome Correas, the musicians complete the program with a selection of early pieces by Mozart: several of his (unjustly underrated) Church Sonatas, his Symphony No. 17, a poetic Agnus Dei from the Vespers, and excerpts from the all too rarely heard Davide penintente and La Betulia liberata. Through his attention to contrast and his concern for expressivity, the conductor reveals the underlying theatricality of these works, unparalleled in their dramatic power.

Contents and tracklist

Quel nocchier che in gran procella (Amital)
Track length6:09
I. Allegro
Track length4:17
II. Andante
Track length4:01
III. Allegro
Track length3:55
I. Exsultate, jubilate
Track length4:43
II. Fulget amica dies
Track length0:50
III. Tu virginum corona
Track length5:38
IV. Alleluia, alleluia
Track length2:35

Awards and reviews

January 2024

There is life injected into every corner of t h i s record i ng of largely early Mozart, from the incisive playing of period instrument ensemble Les Paladins, under conductor Jérôme Correas, to Karine Deshayes’s highly expressive mezzo-soprano.

January 2024

Les Paladins set out their stall in the introduction to an aria from the 1771 ‘azione sacra’ Betulia liberata, exhibiting an edge to the string tone and conspicuous natural horns, their intonation deliciously on the ripe side.
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