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Drop Not, Mine Eyes
Alexander Chance (counter-tenor), Toby Carr (lute)
Awards:
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Presto Editor's Choice, April 2023
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Gramophone Magazine, July 2023, Editor's Choice
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Nominated - Baroque Vocal
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Opus Klassik Awards, 2024, Nominated - Young Talent of the Year
Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor.
Drop Not, Mine Eyes
Alexander Chance (counter-tenor), Toby Carr (lute)
Purchase product
Awards:
-
Presto Editor's Choice, April 2023
-
Gramophone Magazine, July 2023, Editor's Choice
-
Presto Recordings of the Year, Finalist 2023
-
International Classical Music Awards, 2024, Nominated - Baroque Vocal
-
Opus Klassik Awards, 2024, Nominated - Young Talent of the Year
Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor.
About
Named Gramophone’s One to Watch and winner of the 2022 International Handel Singing Competition, Alexander Chance makes his recording debut on Linn. Drop not, mine eyes is a recital of English lute songs that soaks up the zeitgeist of the past couple of years to create a programme full of melancholic works by Dowland, Campion, Danyel, Purcell and others. If the ever-popular Dowland was readily prone to sadness, as exemplified by the pair I saw my lady weep and Flow, my tears, or indeed In darkness let me dwell, the polymath Thomas Campion favoured a more sober style, as shown in I care not for these ladies. Thomas Ford displays his more profane side here with Fair, sweet, cruel and What then is love. When it comes to melancholy, John Danyel’s Grief, keep within and Drop not, mine eyes are every bit as good as Dowland. The programme closes with Purcell, the other English Orpheus. Toby Carr provides sympathetic accompaniment on lute and theorbo
Contents and tracklist
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute)
- Toby Carr (lute), Alexander Chance (countertenor)
- Toby Carr (lute), Alexander Chance (countertenor)
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Awards and reviews
-
Presto Editor's ChoiceApril 2023
-
Gramophone MagazineJuly 2023Editor's Choice
-
Presto Recordings of the YearFinalist 2023
-
International Classical Music Awards2024Nominated - Baroque Vocal
-
Opus Klassik Awards2024Nominated - Young Talent of the Year
July 2023
Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor.
April 2023
robust, richly-coloured and beautifully even across the registers, Chance's distinctive countertenor is coupled with superb diction and a natural, unfussy way with the texts that's especially affecting in the plangent laments but also pays dividends in the racier songs (such as Campion's 'I care not for these ladies', given with a twinkle in the eye that never crosses the line into archness). Delicious.
Pizzicato
With his pure, silky timbre and impeccable vocal line, Chance captures the sensual, melancholic and tender character of these songs quite perfectly.