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Drop Not, Mine Eyes

Alexander Chance (counter-tenor), Toby Carr (lute)

Drop Not, Mine Eyes

Awards:

Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor.

Drop Not, Mine Eyes

Alexander Chance (counter-tenor), Toby Carr (lute)

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This release includes a digital booklet

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Awards:

Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor.

About

Named Gramophone’s One to Watch and winner of the 2022 International Handel Singing Competition, Alexander Chance makes his recording debut on Linn. Drop not, mine eyes is a recital of English lute songs that soaks up the zeitgeist of the past couple of years to create a programme full of melancholic works by Dowland, Campion, Danyel, Purcell and others. If the ever-popular Dowland was readily prone to sadness, as exemplified by the pair I saw my lady weep and Flow, my tears, or indeed In darkness let me dwell, the polymath Thomas Campion favoured a more sober style, as shown in I care not for these ladies. Thomas Ford displays his more profane side here with Fair, sweet, cruel and What then is love. When it comes to melancholy, John Danyel’s Grief, keep within and Drop not, mine eyes are every bit as good as Dowland. The programme closes with Purcell, the other English Orpheus. Toby Carr provides sympathetic accompaniment on lute and theorbo

Contents and tracklist

I. Grief, Keep Within
Track length2:46
II. Drop Not, Mine Eyes
Track length2:39
III. Have All Our Passions
Track length2:55

Spotlight on this release

Awards and reviews

  • Presto Editor's Choice
    April 2023
  • Gramophone Magazine
    July 2023
    Editor's Choice
  • International Classical Music Awards
    2024
    Nominated - Baroque Vocal
  • Opus Klassik Awards
    2024
    Nominated - Young Talent of the Year

July 2023

Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor.

April 2023

robust, richly-coloured and beautifully even across the registers, Chance's distinctive countertenor is coupled with superb diction and a natural, unfussy way with the texts that's especially affecting in the plangent laments but also pays dividends in the racier songs (such as Campion's 'I care not for these ladies', given with a twinkle in the eye that never crosses the line into archness). Delicious.

Pizzicato

With his pure, silky timbre and impeccable vocal line, Chance captures the sensual, melancholic and tender character of these songs quite perfectly.
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