Campion - The cypress curtain of the night
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Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor. —
Awards:
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Presto Editor's Choice, April 2023
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Gramophone Magazine, July 2023, Editor's Choice
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Nominated - Baroque Vocal
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Opus Klassik Awards, 2024, Nominated - Young Talent of the Year
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Barbara Bonney - Fairest Isle
Barbara Bonney, Jacob Heringham, lute. Phantasm viol quartet
Academy of Ancient Music
Awards:
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Gramophone Magazine, February 2001, Editor's Choice
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This is a delight of a disc. Short and slight – pared back to the essentials of both texture and repertoire – it’s a lunchtime recital rather than a full evening’s commitment, something to send... —
Awards:
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Gramophone Magazine, October 2023, Editor's Choice
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In most respects this makes an ideal introduction to Dowland's art since it includes many of his most popular songs. Moreover they are sung with wonderful artistry by James Bowman, whose countertenor... —
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$9.50 -
Zazzo's voice is pure, strong and individual....For the most part, [he] is a convincing storyteller. Indeed, he fits Burgon's cycle and Boyle's Two Love Lyrics into a cohesive, highly satisfying... —
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English Ayres by Thomas Campion
Nigel North (lute), Michael Chance (counter-tenor)
The English Ayre, Concordia
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Like Nicholas Lanier, his younger contemporary, Thomas Campion (1567-1620) is another of those remarkably versatile figures who played a major role in the flourishing secular arts of the Elizabethan... —
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O Ravishing Delight
English airs
Alfred Deller (countertenor), Desmond Dupré (lute and viola di gamba)
David Munrow, Richard Lee (recorders), Robert Elliott (harpsichord)
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Thomas Campion - Move now with measured sound
Songs
Robin Blaze (countertenor), Elizabeth Kenny (lute), David Miller (theorbo, lute), Joanna Levine (consort bass viol), Mark Levy (lyra viol)
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Amores Pasados
John Potter (voice), Anna Maria Friman (voice & Hardanger fiddle), Ariel Abramovich, Jacob Heringman (lutes)
Potter and Friman especially are old hands at category-crunching, and, as ever, make it work through the integrity of their performances, as true to themselves as to the music, supported by... —
