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Romantic Piano Masters

Mariam Batsashvili (piano)

Awards:

Both [the Thalberg and Liszt paraphrases] are delivered with Batsashvili’s trademark expressiveness and finely calibrated control, and in the Liszt she finds a way to let her sound unfurl like...

Romantic Piano Masters

Mariam Batsashvili (piano)

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Awards:

Both [the Thalberg and Liszt paraphrases] are delivered with Batsashvili’s trademark expressiveness and finely calibrated control, and in the Liszt she finds a way to let her sound unfurl like...

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Spotlight on this release

Awards and reviews

  • BBC Music Magazine
    October 2022
    Instrumental Choice
  • Opus Klassik Awards
    2023
    Nominated - Solo Instrumental

October 2022

Both [the Thalberg and Liszt paraphrases] are delivered with Batsashvili’s trademark expressiveness and finely calibrated control, and in the Liszt she finds a way to let her sound unfurl like an opening flower...The most intriguing track is her account of Liszt’s seldom-performed Die Loreley, fleetingly seductive and disappearing like a will o’ the wisp.

October 2022

In general I feel Batsashvili is at her best where lyricism is called for, especially in the mid-lower registers (as in the Schubert/ Liszt ‘Ständchen’ and the Schubert/Strauss Kupelwieser-Walzer), and flexibility of phrasing (as in her Bellini/Thalberg Caprice).

6th August 2022

Throughout, this is outstanding playing, the programme thoughtfully constructed.
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