[Gaspard] There is no sense of “Look what I can do,” because they make the difficulties of pianism vanish before our ears. Lisiecki’s performance belongs in that category and perhaps near the...

Fanfare, July/August 2022

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Night Music

Jan Lisiecki (piano)

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[Gaspard] There is no sense of “Look what I can do,” because they make the difficulties of pianism vanish before our ears. Lisiecki’s performance belongs in that category and perhaps near the...

Fanfare, July/August 2022

More reviews

About

Release date: 18th Feb 2022
Label: Deutsche Grammophon
Catalogue number: 4862069
Length: 59 minutes
Genre:
- Piano Solos

Contents and tracklist

Mozart: Variations (12) on ‘Ah, vous dirai-je, Maman' in C major, K265

Work length12:40

Jan Lisiecki (piano)
Recorded: 2018-10-23
Recording Venue: Imperial Hall, Würzburg Residence

Theme

Track length0:59

Var. 1

Track length0:45

Var. 2

Track length0:45

Var. 3

Track length0:50

Var. 4

Track length0:44

Var. 5

Track length0:52

Var. 6

Track length0:40

Var. 7

Track length0:48

Var. 8

Track length0:55

Var. 9

Track length0:50

Var. 10

Track length0:41

Var. 11

Track length2:37

Var. 12

Track length1:14

Schumann: Nachtstücke, Op. 23

Work length18:52

Jan Lisiecki (piano)
Recorded: 2018-10-23
Recording Venue: Imperial Hall, Würzburg Residence

I. Mehr langsam, oft zurückhaltend

Track length4:24

II. Markiert und lebhaft

Track length6:16

III. Mit grosser Lebhaftigkeit

Track length4:22

IV. Ad libitum - Einfach

Track length3:50

Ravel: Gaspard de la Nuit

Work length23:56

Jan Lisiecki (piano)
Recorded: 2018-10-23
Recording Venue: Imperial Hall, Würzburg Residence

I. Ondine

Track length5:58

II. Le Gibet

Track length9:01

III. Scarbo

Track length8:57

Paderewski: Miscellanea, Op. 16

Work length4:28

Jan Lisiecki (piano)
Recorded: 2020-10-24
Recording Venue: Meistersaal, Berlin

IV. Nocturne in B Flat Major

Track length4:28

Awards and reviews

July/August 2022

[Gaspard] There is no sense of “Look what I can do,” because they make the difficulties of pianism vanish before our ears. Lisiecki’s performance belongs in that category and perhaps near the very top. He creates musical values at every turn, making the piece captivating instead of merely overwhelming

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